Thursday, April 19, 2018

His Name Is George Greaves: Remembering the White World War II Veteran Murdered by Two Blacks in Philadelphia in 2010 (12 Miles From the Starbuck's Where Two Blacks Were Arrested for Loitering/Failing to Cooperate With Police in 2018)

Previously on SBPDL: 89-year-old White World War II veteran suffocates to death while Black nurses laugh at him


Delbert Belton.

Paul Monchnik.

Albert Loehlein


Lawrence "Shine" Thornton

What does these four men have in common? 

All were white men who served the United States Military in World War II. 

All were white men who were murdered by black people in the last eight years. 

We'd be remiss if we didn't acknowledge George Greaves, a white World War II who was murdered in 2010 as he arrived home. [Teens Being Questioned in Elderly Man's Murder: Man shot in his driveway as he arrived home, NBC Philadelphia, August 20, 2010]:
Barely even a local story was the murder of white World War II veteran George Greaves back in 2010. He was murdered by two blacks - one who attend Martin Luther King Jr. High School - a mere 12 miles from the location of the Starbuck's in Philadelphia where two blacks were arrested triggering an international incident
Myrtle Ryan is Greaves closest living relative. She had the grim task of identifying her cousin -- a man she describes as a private and kind person.
"It’s sad," she said. "You work your entire life, you retire and have to have something like that happen."
She says the former body builder, who was a World War II veteran serving as a Seabee in the Navy, was anything but frail -- even at age 87. She’s convinced he would have fought back and it appeared his killers got away with no money.
"They didn’t get in the house apparently because the wallet was there, and the keys to the car were there, and yet the door was open… it wasn’t open, but it was unlocked," Ryan said.

His home was located 12 miles from 1801 Spruce Street, the Philadelphia address where two black males were arrested for loitering in a Starbuck's and failing to cooperate with police nearly eight years later. 

They became an international story, generating massive outrage, while the murder of 87-year-old George Greaves is but a tear lost in the rain. [2 Teens Charged in Elderly Man’s Murder: Investigators say 17-year-old girl used grandfather's handgun, NBC Philadelphia, August 22, 2010]:
Two teenagers were charged in connection with the murder of an 87-year-old Cedarbrook man earlier this week.
Philadelphia homicide detectives say a 17-year-old girl and 14-year-old boy confessed to killing George Greaves outside his home on Wednesday.
Police sources tell NBC Philadelphia's Monique Braxton the pair gave statements confessing to the crime on Friday night. Investigators say  the girl pulled the trigger and told police she used her grandfather's handgun in the fatal shooting.
Two blacks murdered George Greaves 12 miles from the Starbuck's where two blacks were arrested for loitering and failing to cooperate with the police
But the suspect's grandfather told Braxton his granddaughter did not use his handgun in the shooting. He said she was picked up by police at his home. He also says the 17-year-old is a student at Martin Luther King, Jr. High School and has never been in trouble with the law before.
NBC Philadelphia is not releasing the grandfather's name because police have not released the name of the 17-year-old suspect.
Police say the teen suspects live just a few blocks away from Greaves and said they planned to rob him. Investigators also say the suspects told police they snatched a ladies purse not far from Greaves' home.
Greaves was found with a bullet through his chest in his driveway on the 7900 block of Pickering Street Wednesday afternoon.
Witnesses say they saw a woman wearing a Muslim headscarf and a man in a black shirt and shorts run from Greaves' house shortly after hearing shots fired.
Neighbors say Greaves, who many knew by his nickname, “Bud” was living out his golden years and enjoying life. Some say the arrests bring a sense of relief.
"My 5-year-old didn't want to come outside. Everyone was staying in..some people didn't want to go to work," Denyse Morgan said.
Greaves was a World War II veteran and Navy Seabee.

Delbert Belton.

Paul Monchnik.

Albert Loehlein


Lawrence "Shine" Thornton

George Greaves. 

Five white World War II veterans murdered by blacks in the past eight years. 

What was it they fought to preserve again? 

Wednesday, April 18, 2018

Every Time Starbucks Cucks, Another White Person Grows a Spine

Previously on SBDPL: The Business Model of Starbucks Explained: The Reason 86% Black Jackson, MS Doesn't Have a Starbucks

What percent of Starbucks customer do you think are white people? I'd wager the number is near 80 percent. 

We can all pretend to #RaceTogether, but in the end we know it's all a lie. [Fake Starbucks coupon aimed at blacks uses the N-word, USA Today, 4-18-18]:


Fake Starbucks coupons purporting to offer free coffee to African Americans are making the rounds on social media.
Our grandchildren will learn about this image, a powerful reminder Black-Run America held white people and their civilization hostage for decades as we refused to concede our ancestors knew better when it came to interracial relations...
The voucher, believed to be a hate-filled prank crafted by the white-supremacy movement, features a QR code that, when scanned, reveals the N-word.
The bogus certificate surfaced Wednesday amid legitimate calls for a boycott over Starbucks' decision to phone 911 to have police arrest two black men at a downtown Philadelphia location because they hadn't bought anything last Thursday. They were denied use of a restroom even though they explained they were waiting for a friend. The furor arose over what is viewed as a double standard compared to how white customers are treated. 
As for the phony coupons, "This is completely false and in no way associated with Starbucks," Jaime Riley, a spokeswoman for the coffee chain, said in an e-mail. "They cannot be redeemed in our stores."
Several different versions of the same coupon are circulating.
The so-called "Let's Talk Coupon" reads, "We're sorry. We know we can do better. Starbucks values all people of color and we are working on employee sensitivity training. The best dialogue starts over a cup of coffee and we'd like to buy you one."
The apology and the reference to having open conversations about racism are references to real actions Starbucks has taken. CEO Kevin Johnson has apologized for last week's incident. On Tuesday, the company announced plans to close all company-owned stores in the U.S. for the afternoon on May 29 for racial-bias training.
The voucher says the offer for a free beverage of any size and any variety is valid from April 18 until May 18. One version of the coupon adds that it's for "People of Color only", while another says, "Limited to persons of African American heritage and/or identity at time of exchange."
In addition to the faux legalese, the coupon features the Starbucks logo, the company's iconic shade of green and photos of the chain's drinks.
To use the coupon, baristas are told to use the discount code 1488, which is an allusion to two numbers white supremacists have embraced.
The so-called "14 Words" is a white-power slogan and 88 is a reference to "Heil Hitler," words that both begin with the eighth letter of the alphabet.
NAACP spokesman Malik Russell called the coupon "an unfortunate response" to steps civil rights organizations are taking to improve how the country deals with racism.
"Individuals are seeking to take advantage of these discussions to create more dissension," he said. "That’s not the direction we need to be going in."
The only direction black people believe we should be going is one where the destination ensures Africans in America get free coffee for life and the right to confiscate white owned-property/retirement savings as reparations.

That's always what #RaceTogether meant, a one-way monologue instead of a dialogue on race, for whites have no legitimate voice when presented with a list of racial grievances from blacks.


Tuesday, April 17, 2018

In 2017 New York City, a 33% white city and President Trump's hometown, Non-Whites committed 93.1% of the murders and 97% of the nonfatal shootings


In Donald J. Trump's first year as President of the United States, liberals across the country fell over one another to point out New York City's crime rate was at historic lows

What they failed to note: black and brown people in Trump's hometown of New York City were busy committing almost all of the violent crime in the 33 percent white city.
Who is committing all of the violent crime in 33 percent white New York City, President Trump's hometown? Black and brown people...


For homicide suspects, 93.1 percent were black, Hispanic, or Asian in New York City for 2017. These statistics come courtesy of the 2017 Crime and Enforcement Activity in New York City:
Murder and Non-Negligent Manslaughter 
Murder and Non-Negligent Manslaughter victims are most frequently Black (55.7%) or Hispanic (29.2%). 
White victims account for (9.5%) of all Murder and Non-Negligent Manslaughter victims while Asian /Pacific Islanders account for (5.7%) of all Murder and Non-Negligent Manslaughter victims. 
The race/ethnicity of known Murder and Non-Negligent Manslaughter suspects mirrors the victim population with Black (61.7%) and Hispanic (27.0%) suspects accounting for the majority of suspects. White suspects account for (7.7%) of all Murder and Non-Negligent Manslaughter suspects while Asian/Pacific Islanders accounted for (3.6%) of the known Murder and Non-Negligent Manslaughter suspects. 
The Murder and Non-Negligent Manslaughter arrest population is similarly distributed. Black arrestees (54.8%) and Hispanic arrestees (32.2%) account for the majority of Murder and Non-Negligent Manslaughter arrestees while White arrestees (6.9%) and Asian/Pacific Islander (5.4%) arrestees account for the remaining portions of the Murder and Non-Negligent Manslaughter arrest population. 

94.9 percent of robbery suspects in 2017 New York City were non-white.

91.7 percent of rape suspects in 2017 New York City were non-white.

97 percent of shooting suspects in 2017 New York City were non-white.

Make America Great Again? To do this, it means being honest about which racial groups are responsible for violent crime in America (and the explosive growth in the police/prison-industrial complex). In New York City, President Donald J. Trump's hometown, black and brown people (Hispanics) are responsible for nearly all the violent crime. 

One of Donald Trump's favorite movies is Death Wish, and there's no doubt he took notice of the famed scene where white liberals are at a dinner party discussing the vigilantes crimes. The anti-hero (Paul Kersey) overhears the following conversation:

The guy's a racist. 
He kills more blacks than whites. 
More blacks are muggers. 
You want to up the proportion of white
muggers to have racial equality? 
What? Racial equality among muggers? 
I love it.
There is no racial equality among violent criminals in 33 percent white New York City. It's worth noting that when Death Wish was made in the early 1970s, the city was still 63 percent white. Even then, almost all violent crime was committed by non-whites. 


Make America Great Again?

Make America White Again. 

Monday, April 16, 2018

Washington D.C. Police Officers Forced to Learn Black History/Critical Race Theory to Better Understand Black Criminals

Previously on SBPDL: These aren't mutually exclusive: Seth Rich was the leaker to Wikileaks, but was just a victim of random black violence in D.C.

Would you like to see a glimpse of what every police department in America will introduce as continuation education for all officers? 

Courtesy of Washington D.C., we learn critical race theory is now more important than reciting the Miranda warning. [D. C. police to learn black history as part of new training program,Washington Post, 4-16-18]:

D.C. police officers will take a course on critical race theory and visit the National Museum of African American History and Culture as part of a new training program, Mayor Muriel E. Bowser (D) announced Friday morning outside the museum. 
The program, developed through a partnership between D.C. police and the University of the District of Columbia Community College, comes in the wake of amid nationwide concern over biased policing and use of force by officers, particularly in communities of color.  
“We are committed to accountability,” said Bowser, “to strengthen the bonds of trust between MPD and our residents.” 
While Bowser did report say that crime has decreased in the District — the end of 2017 saw a 23 percent drop in violent crimes and 17 percent fewer homicides — negative interactions between officers and black residents remain an issue. 
The program takes officers through a day of training, which includes a three-hour lecture on black history, a guided tour through the National Museum of African American History and Culture and a lesson on U Street, where officers examine police brutality. 
The effort comes as departments throughout the country have increased efforts to recognize and counter bias. In a similar move, the Chicago Police Department last year announced recruits would tour the DuSable Museum of African American History and the Illinois Holocaust Museum as part of their mandatory training. 
In the District, the program’s facilitators hope to provide officers with insight into the African American experience in the nation’s capital. 
“If you’re going to be a police officer in Washington, you need to understand the history of the city, and race is a big part of that,” said Chuck Wexler, executive director of the Police Executive Research Forum. Wexler has studied a range of issues related to police conduct, from gun-violence prevention to the heroin epidemic. 
Police Chief Peter Newsham said the museum’s exhibits force officers to confront ugly moments in the history of policing. 
“People who were supposed to serve and protect had played in the enforcement of discriminatory, racist and unjust policies and laws,” Newsham said. “The museum includes very honest and poignant stories of the role that policing played in some of the historical injustices in our country.”
In every police department, in every city in America, critical race theory will soon find willing pupils to inculcate. 

The only reason the city of Washington D.C. even needs police officers is because of high rates of black crime/dysfunction/homicide.

It doesn't need stating, but nearly 99.9 percent of the "gun violence" in Washington D.C. is committed by blacks. What Rich and his inevitably black killer had in common is simple: they both were out to get whitey. 

Hunter S. Thompson, in his hilarious Fear and Loathing on the Campaign Trail ’72 offered an all-too-familiar look at black violence/crime/dysfunction found in every American city with a black population of more than five percent. In a chapter titled, “Can Georgetown Survive the Black Menace?,” Thompson writes: 

Life runs fast and mean in this town. It’s like living in an armed camp, a condition of constant fear. Washington is 72 percent black; the shrinking white population has backed itself into an elegant-looking ghetto in the Northwest quadrant of town – which seems to have made things a lot easier for the black marauders who have turned places like chic Georgetown and once-stylish Capitol Hill into hellishly paranoid Fear Zones. 
 Washington Post columnist Nicholas Van Hoffman recently pointed that the Nixon/Mitchell Administration- seemingly obsessed with restoring Law and Order in the land, at almost any cost – seems totally unconcerned that Washington, D.C., has become the “Rape Capital of the World.” One of the most dangerous areas in town is the once-fashionable district known as Capitol Hill. 
This is the section immediately surrounding the Senate/Congress office buildings, a very convenient place to live for the thousands of young clerks, aides and secretaries who work up there at the pinnacle. The peaceful, tree-shaded streets on Capitol Hill look anything but menacing; brick colonial townhouses with cut-glass doors and tall windows looking out on the Library of Congress and the Washington Monument… 
When I came here to look for a house or apartment, about a month ago, I check around town and figured Capitol Hill was the logical place to locate. “Good God, man!” said my friend from the liberal New York Post. “You can’t live there! It’s a goddamn jungle!”  
Crime figures from “The District” are so heinous that they embarrass even J. Edgar Hoover. Rape is said to be up 80 percent this year over 1970, and a recent rash of murders (averaging one every day) has mashed the morale of the local police to a new low. Of the 250 murders this year, only 36 have been solved… and the Washington Post says the cops are about to give up. 
  Meanwhile, things like burglaries, street muggings and random assaults are so common that they are no longer considered news. The Washington Evening Star, one of the city’s three dailies, is located in the Southeast District – a few blocks from the Capitol – in a windowless building that looks like the vault at Fort Knox. Getting into the Star to see somebody is almost as difficult as getting into the White House. 
Visitors are scrutinized by hired cops and ordered to fill out forms that double as “hall passes.” So many Star reporters have been mugged, raped and menaced that they come and in fast taxis, like people running the gauntlet – fearful, with good reason, of every sudden footfall between the street and the bright-lit safety of the newsroom guard station…. 
Getting beaten in Congress is one thing – even if you get beaten a lot – but when you slink of out of the Senate chamber with your tail between your legs and then have to worry about getting mugged, stomped, or raped in the Capitol parking lot by a trio of renegade Black Panthers… well, it tends to bring you down a bit, and warp your Liberal Instincts. 
 There is no way to avoid “racist undertones” here. The simple heavy truth is that Washington is mainly a Black City, and that most of the violent crime is therefore committed by blacks – not always against whites, but often enough to make the relatively wealthy white population very nervous about random social contacts with their black fellow citizens. 
After only 10 days in this town I have noticed the Fear Syndrome clouding even my own mind: I find myself ignoring black hitchhikers, and every time I do it I wonder, “Why the fuck did you do that?” And I tell myself, “Well, I’ll pick up the next one I see.” And sometimes I do, but not always…
 Not much has changed in D.C. since Thompson wrote those words.

But with critical race theory, we can blame all the problems black criminals create on the lingering residue of white racism negatively affecting the city. 

Sunday, April 15, 2018

In 1996, Charlize Theron Admitted She Left Black-Run South Africa Because “there was no future for a white South African..."

Shot. [That Thing She Does, People, October 14, 1996]:
CHARLIZE THERON STRETCHES HER LITHE, 5’9″ frame over her purple couch and smiles as she remembers the first time she rented the movie Splash. “I was in love with Tom Hanks instantly,” she says. “I hated Daryl Hannah. I was sitting there saying, ‘I could have done that part so much better. That should be me!’ ” 
Deep in her heart, Theron knows the truth, but to have a career in Hollywood, she sold her racial soul for momentary glory. 
At the time, Theron was all of 9 years old and watching the film on the living room floor of her parents’ farmhouse in the remote South African village of Benoni. But if her dreams were big, she wasn’t afraid to pursue them: Twelve years later, the actress, now 21, is appearing with Hanks in his directorial debut, That Thing You Do!, the story of a ’60s rock band. Theron plays Tina, the prim, self-absorbed girlfriend of the lead character, played by Tom Everett Scott. Meanwhile she is blowing away critics as the hit woman Helga in the violent 2 Days in the Valley. 
“She’s this Amazonian beauty,” says James Spader, Theron’s lover in Valley. “She carries an enormous presence.” Director John Herzfeld was equally impressed with Theron’s acting debut, particularly in light of her quick recovery after a mishap during a fight scene with co-star Teri Hatcher. “Teri actually hit Charlize with the first punch,” he says. “When you see Charlize’s head go back, that’s real.” 
According to Theron, that was just her first experience with screen combat. “I got smacked in the face, kicked in the ribs and thrown into walls,” she says. “But it’s fun!” 
Theron also enjoyed the collegial atmosphere on the set. Growing up an only child on her family’s farm, Theron says, her pet goat Bok “was like my best friend.” As an outlet for her boundless energy, she took up ballet at age 6 and soon was dancing professionally in Johannesburg. But at 15, she says, “everything just went wrong.” 
Her father, Charles, died, leaving the family’s road-construction business in the hands of her mother, Gerda. Theron had little time to grieve; with the dismantling of apartheid and the creation of new affirmative action laws, she became convinced “there was no future for a white South African.” One week after turning 16, she accepted an offer from an Italian model scout, and—with her mother’s blessing—headed for Milan. Looking back, she says, “I just ran.”

So Charlize Theron left South Africa because once blacks took over the country in 1994 she feared “there was no future for a white South African.”


Chaser. [Charlize Theron Considers Leaving America as ‘Racism Alive and Well’, Breitbart.com, 4-13-18]:

South African actress Charlize Theron has revealed she is considering leaving the United States because of a perceived increase in racism under the Trump administration. 
“I don’t even know how to talk about the last year under our new administration,” Theron said in an interview for Elle conducted by the comedian Chelsea Handler. 
“But racism is much more alive and well than people thought. We can’t deny it anymore. We have to be vocal. ” 
Theron, who was born and raised in apartheid South Africa, went on to claim that she fears for the safety of her adopted children, both of whom are African-American. 
“There are places in this country where, if I got a job, I wouldn’t take it. I wouldn’t travel with my kids to some parts of America, and that’s really problematic,” she said. 
“There are a lot of times when I look at my kids and I’m like, if this continues, I might have to [leave America]. Because the last thing I want is for my children to feel unsafe,” she continued. “But they’re going to have to know that it’s a different climate for them than it is for me, and how unfair that is.
So Charlize Theron left South Africa because once blacks took over the country in 1994 she feared “there was no future for a white South African.”

She then sold her soul to act in Hollywood, and now owes her entire career to spitting in the face of her people and white Americans. 

Theron left South Africa because it was unsafe for white people (under black rule, she correctly ascertained white people had no future) and she now parrots the anti-white lies our elite mandate all of their puppets espouse. 


She surrendered her racial soul for a few decades of glory. 


Saturday, April 14, 2018

Baltimore Museum of Art to Sell Artworks by White People to Make Room for Black Artists to Better "Reflect" the 70% Black City...

If you've read The City that Bleeds: Race, History, and the Death of Baltimoreyou know black people in Baltimore carefully protect their city by using black criminality to keep out white people from ever being a demographic threat to run things again.

You'll also know that in 1917, Baltimore was 88% white. Restrictive covenants and segregation kept city prosperous and safe from the very population now representing 70% of the city's population, with the white population below 25 percent.
In a city overwhelmed by Africans in America, a lingering vestige of western civilization is seeing stewards sell off art by white people to make room for artwork by people of color/blacks to better reflect a city whose population is below 25 percent white... 


Yes, Baltimore is a 70 percent black city. It was roughly 10 percent black in 1917. With black-fueled violence exploding across the city, it's important to remember the reality of homicide in Baltimore: Lynchings in USA over an 86-year time-span vs. Homicides in Baltimore over a 7-year time-span (91.5 percent Black-on-Black)

Again, in 1917, Baltimore was 88% white. Restrictive covenants and segregation kept city safe and prosperous from the very population now representing 70% of the city's population.


The Baltimore Museum of Art announced Friday that it is selling seven artworks by such 20th-century masters as Andy Warhol, Robert Rauschenberg and Franz Kline to make way for pieces by contemporary artists of color and women. 
Going up for sale at Sotheby’s in May are two artworks by Warhol (“Oxidation Painting” from 1978 and “Hearts” from 1979) and one each by Kline (“Green Cross” from 1956) and Rauschenberg (“Bank Job” from 1979). Rounding out the seven are three paintings by lesser-known artists: Kenneth Noland’s “Lapis Lazuli” from 1963 and “In-Vital” from 1982, along with Jules Olitski’s “Before Darkness II” from 1973. 
Kline’s painting alone is expected to fetch between $6 and $8 million, while Warhol’s “Oxidation Painting,” should bring in between $2 million and $3 million, according to a spokesman for Sotheby’s in New York, which is handling the sales. 
Five works will be sold at auction on May 16 and 17, while two extremely large artworks — Warhol’s “Hearts” and the Rauschenberg — will be put up for private sale. 
Museum director Christopher Bedford pointed out that the museum owns many other, and stronger, works by each of the artists who created the pieces leaving the collection. For instance, the BMA owns more than 90 artworks by Warhol, roughly a dozen by Kline and about two dozen by Rauschenberg.

During the same meeting in which the museum’s board of trustees announced that it was selling the seven artworks, it also approved the purchase of nine artworks by contemporary artists, several of whom are black. 
Bedford has spoken often of the necessity of ensuring that museums reflect the population of the cities in which they are located. Though the city of Baltimore is 63.7 percent black, according to 2010 census data, its flagship contemporary museum owns relatively few artworks by African-American artists. 
The purchases will be one small step toward diversifying the museum’s collection. 
Among them are works by the artists Mark Bradford, John T. Scott and Jack Whitten, who are African-American, and Zanele Muholi, who is South African. The museum also purchased pieces by artists Sara VanDerBeek and Trevor Paglen, who are white. The seven artworks being sold — five paintings, one mural and one work that combines paint and silkscreen — all were created by white men. 
“It is a very good thing to make room for new works by contemporary artists,” said Costas Grimaldis, owner of Mount Vernon’s prestigious C. Grimaldis Gallery. “It’s also a good thing to have room in a museum’s storage for works by artists like Kline, Rothko and Rauschenberg that have already made history.”
Baltimore already has a museum dedicated exclusively to black art. How is attendance there? [In Baltimore and nationwide, art museums fight sharp declines in attendance, Baltimore Sun, 1-12-18]:


When former Walters Art Museum director Gary Vikan remembers the late 1990s, he gets a little wistful. 
It was a time when as many as 600,000 people crowded through the doors of the city’s two largest art museums each year. Local celebrities would hit him up for tickets. Airline employees checking him in for his flight recognized his name. 
“Sometimes on Sundays, the galleries would get so full you could barely move,” Vikan said. “It was fun while it lasted.” 
Twenty years later, the scene in Baltimore and nationwide is very different. 
“You go into museums that have recently expanded, museums with these enormous spaces,” he said. “And you see nobody in the galleries. Zero.” 
Annual attendance at the Baltimore Museum of Art has fallen 12.7 percent in the last 15 years. At the Walters, it’s down 18.6 percent. Across the country, the National Endowment for the Arts reports, attendance at art museums dropped 16.8 percent — even as the population grew by more than 33 million people, and museums began offering free admission. 
Foot traffic at art museums climbed steadily throughout the 20th century. Now, for the first time in modern history, it’s falling. And the decline is expected to accelerate, aprospect that alarms museum officials. 
“Society has invested billions of dollars in these museums over the centuries,” said Michael Peter Edson, a longtime museum administrator. “If museums can’t prove their ability to make a difference, then society will choose to place its resources somewhere else — and it should. There’s a premium on urgency. We don’t have 20 or 30 years to sit on the sidelines.” 
The Baltimore Museum of Art is just beginning to recover from a sharp drop after closing 60 percent of its galleries for a renovation starting in 2011. When the full museum reopened in the fall of 2014, attendance was about 180,000, down 36 percent since 2002. By the end of the 2017 fiscal year, attendance had climbed to 246,100 — about the audience for 2005, but still down from earlier years. 
And at the Reginald F. Lewis Museum of Maryland African American History & Culture, attendance declined to 48,775 in 2017, or 53 percent below the opening-year high of 104,500 visitors. 

So a museum dedicated solely to promoting black art in nearly 70 percent black Baltimore is sparsely attended, but the Baltimore Museum of Art is now selling art by white artists to make room for art by people of color in a Quixotic attempt to get more black patrons and better reflect the community.

Just another example of what Black-Run America (BRA) does to the every institution, private or public, in the USA.


Thursday, April 12, 2018

Not a Drill: SBPDL Needs Your Help

PK Update: This needs to become a fundraiser for a number of incredibly important reasons. We need your help now more than ever to help SBPDL grow. Money order/PO Box information is listed below.

The war is upon us. The technocratic elite are waging a battle from which we might never be able to recover. We are on the verge of being silenced, digitally lynched. 

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It's that serious. 


SBPDL is ready. We are prepared to make a move to a site I've been quietly building to launch when the battle goes nuclear. 



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Wednesday, April 11, 2018

Gas Station in 94 percent black zip code near Atlanta is bringing back full service because it's not safe to get out of your car to pump gas

Isn’t it strange that in a near-homogeneous Black community like Detroit, there seems to be so little social trust and social capital? Doesn’t this fly in the face of Harvard political scientist Robert Putnam’s famous study that found diversity was the primary cause for a loss of civic engagement.
Remember the story? Putnam was so embarrassed by his study and investigation that showed the harmful effects of diversity that he suppressed the findings for a number of years.
A 94 percent black zip code... bringing back a full service gas station because it's not safe to get out of your car to pump gas.
But in Detroit, the inverse of Putnam’s findings appear to be true. The blacker a community, the fewer people vote, the less they volunteer, the less civility and social trust and the less they work to better the community.
They don’t even snitch to the police! Neighborhood trust appears to be catastrophically low, especially in the 48205 zip code, the most violent in America.
We’ll call it the Detroit Corollary.
Which brings us to the 30331 zip code in South Fulton County in Georgia. It's 94 percent black and about 1.3 percent white (not far from Atlanta). 

Will the Detroit Corollary prove true of this zip code, an almost all-black community completely devoid of social capital? 


SOUTH FULTON COUNTY, Ga. - A local gas station is using a practice of the past to help put a dent in a trending crime called sliding. 
It's something we don't see too often in the metro area -- Full service, where someone puts your gas in your car for you. 
Sarah Cainion loves using the new gas valet service at the Shell gas station on Cascade Road near Interstate 285.   
“They pump your gas. They go get your receipt. They come and clean your windows for you and everything,” Cainion said. 
She had avoided the area because of criminals who slide into your car while you pump gas and steal your personal items, or steal your car. 
"But since they started the pumping I've come back," she said. 
The new gas valet full service is here in direct response to the criminals who contributed to a 200 percent increase in crime at the gas station recently. 
One of the founders of the gas valet business says she began thinking of a safer way to pump gas. 
"Without worrying about your surroundings or your personal property or your entire vehicle being taken," said Monique Holliday, Co-Founder of Gas Valet. 
Gas valet attendants will pump your gas, wash your windows and even get items from inside. 
"They tell you if you need to get snacks they'll get snacks for you," Cainion said. 
Community organizer Daphne Jordan was instrumental in raising awareness about the out of control slider crimes at gas stations in the area. 
"There were a lot of people who simply boycotted this area," she said. 
She says gas valet attendants are another set of eyes to protect customers. 
"And this is also creating jobs when you think of it from another positive standpoint," she said. 
The gas valet full service will eventually costs $2 but some customers don't mind that. 
You can pay the attendant there or download the gas valet app, sign up and prepay there. You can get the service from 7 to 11 in the morning and 3 to 7 in the evening. 
Gas valet is looking to extend hours and add even more gas stations.
A 94 percent black zip code in South Fulton County (home to Atlanta), where people pumping their gas fear being robbed... even having their car stolen while they try and fill their car with gas.

I'd say the Detroit Corollary is entirely true.  

Tuesday, April 10, 2018

Career Black Criminal, Who Murdered White Chicago Police Commander Paul Bauer, Compares Himself to Trayvon Martin

Previously on SBPDL: Because of Incessant Black Violence/Dysfunction, Funeral home directors in Chicago call for law to reduce violence at funerals

No words. 

Just know there can be no peace. [Shomari Legghette, charged with Chicago commander's murder, compares himself to Trayvon Martin, Chicago Tribune, 4-9-18]:
Shomari Legghette, charged with murder in the February killing of Chicago police Cmdr. Paul Bauer, compared himself to Trayvon Martin in a jailhouse interview with Chicago magazine. 
There can be no peace...
The magazine’s May issue details Legghette and Bauer’s lives leading up to the beloved police commander’s slaying. In addition to speaking with Legghette, the magazine spoke with each man’s friends and loved ones, including Bauer’s widow. 
The magazine’s reporters spent nearly four hours talking with Legghette, a four-time felon. Though he does not go into much detail about the fatal confrontation with Bauer, Legghette said he’s not guilty of murder in Bauer’s shooting. 
“Would Trayvon Martin have been guilty with George Zimmerman if it had went the other way?” Legghette said. 
It’s not clear what he meant by the remark. 
Martin’s case sparked a national debate about racial profiling and civil rights after the unarmed black 17-year-old was killed in a gated community near Orlando, Fla., during a 2012 confrontation with George Zimmerman, a neighborhood watch volunteer. Zimmerman was charged in state court with second-degree murder and manslaughter in connection with Martin's shooting but was acquitted. 
On Feb. 13, officers patrolling Lower Wacker Drive because of a recent shooting and drug sales approached Legghette, but he took off running, authorities said. 
Bauer, downtown for a meeting with aldermen after attending a training for handling mass shootings earlier in the day, heard a radio call of a fleeing suspect and spotted Legghette running nearby moments later, authorities said. 
Bauer chased Legghette to the top of a stairwell outside the Thompson Center and attempted to detain him, authorities said. The two struggled and ended up on a landing below. 
Legghette, who was wearing body armor, drew a handgun and fired seven shots, fatally wounding Bauer, prosecutors said. 
Beside making the comparison with Martin, Legghette defended his use of body armor — which is banned for felons — in the Chicago magazine story. 
“If you swim, you should have you some scuba gear. If you play football, you got on a helmet and pads. If you’re in the streets, you gotta secure yourself. The police have on body armor. Why is it that the police can wear body armor and the citizens can’t?” Legghette said, according to the article.


Can you spot the great quote from this immortal passage in Nicholas Lemann's The Promised Land: The Great Black Migration and How It Changed America?:
Chicago was home to the Chicago Defender, the country’s leading black newspaper, with a wide readership in the rural South. Robert S. Abbott, the Defender’s publisher, a small, round, well-dressed man who artfully combined the roles of race crusader and businessman, launched what he called "The Great Northern Drive" on May 15, 1917. The object of the drive was to exhort Southern blacks to come to Chicago, in order to make money and live under the legal benefits of citizenship. Abbott invented slogans ("The Flight Out of Egypt") and promoted songs ("Bound for the Promised Land," "Going Into Canaan") that pounded home a comparison to the events described in the Book of Exodus for his audience of extremely religious children of slaves. 
He persuaded the railroads to offer "club rates" to groups of blacks migrating to Chicago. At the same time strong-back businesses like the stockyards and packing houses, desperately short of labor because of the war, hired white labor agents and black preachers to tour the South recruiting. Black porters on the Illinois Central, who at the time were a prosperous, respected elite in black America, spread the word (and passed out the Defender) on their stops in Mississippi towns. E. Franklin Frazier, the black sociologist, reported that, "In some cases, after the train crossed the Ohio River, the migrants signalized the event by kissing the ground and holding prayer services." 
The black population of Chicago grew from 44,000 in 1910 to 109,000 in 1920, and then to 234,000 in 1930. A local commission on race relations reported that 50,000 black people had moved to Chicago from the South in eighteen months during the war. --  p. 16
Did you see it? 

Here. 

I'll make it easy for you. As black migrants from the South entered the northern portion of the United States, they rejoiced at the their new found freedom:

"In some cases, after the train crossed the Ohio River, the migrants signalized the event by kissing the ground and holding prayer services." 
Blacks kissed the ground and held prayer services after they were liberated from the chains of Jim Crow and the white supremacist culture of the South.

Shomari Legghette is the ultimate legacy of the Great Black Migration to Chicago.