Sunday, January 21, 2018

A Racial Lesson for Western Civilization: Built in 1905 when Camden was 100% White, the Carnegie Library Lays in Ruins in now 96% Non-White Camden

PK Note: Check out the latest Paul Kersey at VDare --Thing Is, We’re Supposed To BELIEVE This BLACK PANTHER Black Power Fantasy

What becomes of white civilization - western civilization - when white people abandon what their ancestors created? 

Camden, New Jersey tells us the tragic lesson, where a tree growing inside a long-abandoned library is symbolic of the desolation of western civilization once non-whites inherit what they had no hand in building. 

What they are incapable of maintaining.
The roof is gone on the Carnegie Library in now 96% non-white Camden

In 2018, Camden is nearly 96 percent non-white (49% Hispanic/ 42% black), requiring hundreds of millions of loans, grants, and aid from the taxpayers of New Jersey over the past decades to pay for services, employees, and infrastructure fixes the almost entirely non-white tax-base of the city can't provide.

In 1900, the city was almost 100 percent white, a growing metropolis and a vital contributor to the American economy with an innovative business sector burgeoning. By 1940, Camden was 90 percent white and absolutely thriving.

But as the demographics slowly shifted, and white people abandoned the city, the quality of life regressed to the black (and brown) mean.

What better illustrates the demise of white civilization in Camden then the Camden Free Library Building, built in 1905 when the city was nearly 100 percent white? Andrew Carnegie donated $100,000 for the library, to help provide continued education and a citadel of knowledge to the individual white people who would collectively make Camden on of America's most important industrial cities:
The Library Committee of City Council, on February 24th, adopted a resolution presented by Councilman Charles Ellis, formally accepting Andrew Carnegie’s offer of $100,000 for a public library in Camden. On April 28, 1903 the Free Library Trustees recommended the purchase of the Dialogue property, at Broadway and Line Street, 80 x 1600 feet, for the new Carnegie Library. The sum asked was $15,0900 and on November 4, 1903 the property was obtained for that sum.  
A competition for the design of the new library was held, with several local architects, including Arthur Truscott, submitting designs. Coming in first place in this contest was the firm of Hale & Morse. Hale and Morse represented the partnership of architects ordinarily not associated with Philadelphia: Herbert D. Hale and Henry G. Morse, both of whom were better known in Boston and New York. Nonetheless, for a period in the early twentieth century the firm established an office in the Drexel Building in Philadelphia, and their projects, reported by the Philadelphia Real Estate Record and Builders Guide included several residential operations. 
Inside the roofless library, trees grow among the ruins...
Camden Free Library Building, built with money donated by Andrew Carnegie, Broadway and Line Street, opened to the public on June 27, 1905. 7,000 books were on the shelves. The cost of the building was about $86,000. Carnegie's donation eventually came to $120,000. It was Carnegie’s belief that universities and libraries were the most worthwhile areas to give donations, and he made major donations to over 2500 libraries across the country. The firm of J.E. and A.L Pennock built the two-storied, neoclassical library. It was finished with a pedimented entrance portico on the west façade. When there were no funds left to purchase furniture for the library, Andrew Carnegie donated a supplementary $20,000. The was housed at its original site for eighty-one years. In 1986, the library was set up in a larger building, leaving the original Camden Free Public Library empty. The building was placed on the National Register of Historic Places in October of 1992, and still stands as a symbol of the City of Camden as well as a symbol of the generosity of Andrew Carnegie. 
Sadly in the years between 1986 and 2004 the Carnegie Library stood as a symbol of much that was wrong with Camden- physical decay, political inertia, and an indifference to both the heritage of the past and the need to instill a love of books and learning in Camden's children. A few interested parties attempted to get government help in preserving the building, but met with little success.
When the Camden Free Library Building (also known as the Carnegie Library) was built in 1905, Camden was nearly 100 percent white. Designed to provide a sanctuary for conversing with the great white wordsmiths of the past, who in death still had much to tell the living through their tomes, the Carnegie Library was precious gift for posterity.

For the benefit of not just maintaining, but advancing white civilization.

Today, in less than four percent white Camden, the building is abandoned, though on the ornate facade the names of great white authors (Chaucer, Irving, and Hawthorne) are inscribed, a visible reminder for the city's almost entirely non-white population of just who the Carnegie Library was built for and whom was expected to help grow the community for centuries to come.

But in the span of a century, Camden went from nearly 100 percent white to, in 2018, almost less than four percent white.

Buildings, especially those built long ago, have a way of speaking for the dead.

Built when white people were not just optimistic about their future (and their posterities), but desirous to advance western civilization, the Carnegie Library in 2018 is derelict and in ruin, a visible reminder of the true theme running through H.P.  Lovecraft's horror fiction; the consequences of racial degeneracy, amalgamation, and, worse, the inability of those watching it all unfold to confront the evil.

Reminders of the civilization white people long ago built in Camden are still visible, though the ruin, decay and their degradation is a visible indication of what happens to western civilization in the hands of non-whites.

In now 96 percent non-white Camden, America's future as white people become a racial minority are on full display.



Friday, January 19, 2018

Black St. Louis Public Safety Director Calls Out Black People for Committing All Violent Crime/Homicides in 49% Black/43% White City

Black man notices who commits all the homicides in 49 black/43 percent white St. Louis. 

We call this pattern recognition. 

This black man, who happens to be the Public Safety Director of St. Louis, called upon black people in this city to tackle the crime problem... since they are basically the only people responsible for violent crime there. 

In 2017, all but one of suspects in homicides was black. 

All but one... 

So yes, saying black people are responsible for all the violent crime in St. Louis is an entirely true statement.
It's all white people's fault black people can't stop killing/shooting each other...

But now this black man is the villain for daring to publicly state what official police statistics clearly demonstrate.[Who is responsible for 'black-on-black' crime in St. Louis? MLK Day remarks prompt sharp response, St. Louis Public Radio, 1-18-18]:

St. Louis Public Safety Director Jimmie Edwards made remarks about crime in St. Louis that prompted a sharp response from civil rights law firm ArchCity Defenders. 
Edwards told a crowd at a Martin Luther King Day event that black-on-black crime was a problem African-American residents need to tackle. 
The following day, as part of a thread of 11 tweets, ArchCity Defenders posted “newly appointed Public Safety Director Jimmie Edwards chose to publicly demonize black St. Louisans by employing overly-simplistic racial rhetoric that has long been used to preserve the status quo.” 
When St. Louis Public Radio asked Edwards about the response, he said he didn’t believe his statement garnered pushback, but rather “was celebrated.” He said his understanding of the issue comes from years of experience. 
“For 25 years, I sat as a circuit judge and I’ve tried cases, and my heart has been broken with respect to victims and defendants alike,” he said. 
Edwards, who became public safety director in November, said the issue of black-on-black crime concerns him and listed areas that might help improve crime in the city, including better educational systems, housing and employment. 
But some saw his statement as an attempt to absolve the wider St. Louis community, which includes people of different races, from also having to solve problems around violent crime. 
The latest FBI crime statistics show St. Louis had the most homicides per 100,000 people in 2016 and ranked second for number of violent crimes. 
During his address at the Martin Luther King Day event Edwards said all but one of the city’s 205 murder victims in 2017 were black and all the people caught and accused of those crimes were also black. 
St. Louis Metropolitan Police Department statistics for 2017 show: 
  • 192 murder victims were black
  • One victim was Hispanic
  • 12 were white
  • All but one of the 138 listed suspects are black
  • 137 suspects are identified as male and three as female — totaling 140.
It is unclear from the report if the race of all the suspects is known. The St. Louis Metropolitan Police Department closed fewer than half of its open homicide cases last year. 
As part of its Twitter response, ArchCity Defenders listed 10 topics "Edwards could have addressed," including homelessness, poverty, incarceration and other socioeconomic issues would have been brought nuance to the issue of crime in the city. 
Blake Strode, ArchCity's Executive director, cautioned against statements that make black-on-black crime appear to be a unique phenomenon. 
“One of the things we know about crime is it tends to be intraracial,” he said. 
“Black people tend to be victimized by black perpetrators. White people tend to be victimized by white perpetrators and so on.” 
Strode said he believes every resident should be a part of addressing violent crime in the city. He said a combination of public policy choices and individual choices affect circumstances that give rise to crime. 
“It’s misleading to suggest that black people are in some sense are the cause of their own dilemmas,” he said.
"It’s misleading to suggest that black people are in some sense are the cause of their own dilemmas..."

No, it's really not.

Black people are the cause of their own dilemma, and it's this dysfunction largely responsible for making St. Louis one of America's worst shitholes. Strangely, black people are the common denominator behind American cities being shitholes or a city thriving and boasting social capital.

Thursday, January 18, 2018

White Republican - City Councilman, Reserve Deputy with Sheriff's Office - Resigns over Sharing "Sh-thole" Countries Meme on Facebook

A reminder: we still live in a conquered nation, until white people learn they must simply get off their knees and stop living as slaves to people who despise them.

All you have to do is stand and never, ever back down. [Franklin city councilman resigns after sharing ‘s***hole countries’ meme on Facebook, Fox59.com, 1-18-18]:



FRANKLIN, Ind. – A Franklin city councilman resigned Thursday, just days after posting a controversial meme on Facebook. 
The evidence is quite clear... Haiti is a literal "sh-thole"
Republican Joseph R. Ault announced his resignation in a letter to Johnson County Central Committee Chairman Beth Boyce. In the letter, Ault said he doesn’t want to put the city through any more bad publicity and he apologizes for his lack of good judgment. 
In light of what has transpired over the past few days I have changed my mind and will be resigning my seat on the Franklin City Council of this date. After a few days to think about this I can see no reason to put the City or the Council through anymore bad publicity. I know the city is in very capable hands with the current leadership in place. Once again I want to apologize to the citizens of Franklin and to the Council for my lack of good judgment in this matter. 
The meme in question was in reference to a vulgar comment that President Donald Trump reportedly made during a meeting last week discussing immigration reform.  
He later denied using the vulgarity, adding that he is “not a racist.” 
According to the Indy Star, the meme shared by Ault read: “We bring people from s***hole countries because s***hole Democrats need s***hole votes so they can turn America into a s***hole. Do you agree?” 
Ault has also worked as a reserve deputy for the Johnson County Sheriff’s Office for over two decades, Sheriff Doug Cox told the Indy Star. Cox went on to say his office is in the process of conducting an internal investigation and Ault is not authorized to work for the department during that time.
So a white man resigned his seat on the city council and is under investigation by the sheriff's office - where he served as a reserve deputy - for his sharing of a "shithole" meme?

Never apologize, never resign and never grovel for forgiveness. If you do any of these acts, you surrender all moral authority to the anti-white left.

Wednesday, January 17, 2018

Living the Dream! At Martin Luther King Day Parade in Las Vegas, 29 Black People Arrested for Fighting

All you get today is a shot. 

No chaser to water the harsh, 85% proof shot of pure, unadulterated hilarity. [Fight breaks out in downtown Las Vegas after MLK parade, Las Vegas Review Journal, 1-15-18]:
More than two dozen people were arrested after multiple fights broke out in downtown Las Vegas after the city’s 36th annual Dr. Martin Luther King Jr. Parade, police said.
Police arrested 23 minors and six adults in the fights, Metropolitan Police Department Lt. Grant Rogers said.
Just after 4 p.m., about 100 people were involved in one fight at the intersection of Casino Center Boulevard and Ogden Avenue, Rogers said. No one was seriously injured in the fights, he said.

We dismantled our civilization, surrendering it to Martin Luther King Jr.'s dream. At the 36th annual MLK Parade in Las Vegas, the reality of nation where black people are virtually held unaccountable for their dysfunction was on absolute display.


Tuesday, January 16, 2018

"Sh-thole" Countries Exist, but so do "Sh-thole" American Cities: What's the Common Denominator?

Previously on SBPDL: President Trump Exposes Republican and Democrat Elite are United in the Belief All Haitians Have a Right to Immigrate to America


Ranking the worst "shitholes" in America:
1. Detroit
"Shithole countries" opened more eyes to racial truths/realites
than any website, video, or book could ever
hope to accomplish
2. Camden 3. Newark 4. Baltimore 5. Birmingham 6. Memphis 7. New Orleans 8. St. Louis 9. Philadelphia 10. Jackson (MS)

Dishonorable mention: Milwaukee, Houston, Dallas, Charlotte, Indianapolis, Atlanta, Chicago, Oakland, Kansas City, Hartford.

What's the common denominator? It's not Democrats...

Inadvertently, the Mad Man-in-Chief is doing it... Making America Great Again (MAGA) required, before everything else, white guilt ending for good.

It's happening.

Monday, January 15, 2018

In 1914, White Children in 90% White Baltimore Collected Pennies to Build Monument Commemorating 100th Anniversary of Star Spangled Banner; In 2018, Monument Defaced in now 70% Black City

Previously on SBPDL: When Our Overlords Discover Francis Scott Key was an unrepentant bigot, how long will take to dump the National Anthem?

The anti-racist rebellion against America's quasi-implicit/explicit white racial founding and past continues unabated, with a monument of white children defaced in now 70 percent black Baltimore. 

Paid for by pennies collected by white children in a nearly 90 percent white Baltimore in 1914, the bronze statue placed to commemorate the 100th anniversary of the Star Spangled Banner was defaced with the writing "racist anthem."
A monument built by pennies collected by white children in 1914 (a nearly 90% white Baltimore) to honor the 100th anniversary of Francis Scott Key penning the Star Spangled Banner was defaced in 70 percent black Baltimore


It stands, a monument of two white children - representing a far different Baltimore than the one breaking per capita homicide records every year since blacks rioted in the name of a dead heroin dealer - as a reminder of the past greatness of a city amid the Lovecraftean decline of a great American city. [Patterson Park statue honoring national anthem is defaced, found sprayed with red paint, Baltimore Sun, 1-15-18]:
A statue paid for with pennies contributed by Baltimore school children more than a century ago was found sprayed with red paint Monday morning. 
Jennifer Arndt Robinson, executive director of Friends of Patterson Park, said the bronze statue of children holding a scroll to commemorate the writing of the Star Spangled Banner had been damaged by paint. The words “Racist Anthem” were sprayed on a sidewalk near the statue. 
“We were notified early this morning of the incident,” Robinson said. “We are working with appropriate city officials to make sure it is addressed as quickly as possible.” 
Robinson said a cannon near the statue also was hit by paint. 
A spray paint can was recovered at the site and is being handed over to the Baltimore police, she said. 
“While we recognize the issue of freedom of expression, there has to be more appropriate ways to have that conversation,” Robinson said. 
Reginald Moore, city parks director, called the damage unfortunate. He said in a statement that city maintenance workers are working with the Commission for Historical and Architectural Preservation to assess the extent of the damage. 
“We understand the sensitivity of this matter and will work with City Hall and the Friends of Patterson Park to find a solution,” he wrote. 
Baltimore Police Department spokesman Donnie Moses said that police are investigating the vandalization but have no immediate suspects. 
The 1914 statue, the work of sculptor J. Maxwell Miller, shows two school children holding a scroll that reads: “To commemorate the centennial of the writing of the Star-Spangled Banner, the pupils of the public schools of Baltimore have erected this memorial upon Hampstead Hill where in September, 1814, the citizen soldiers of Maryland stood ready to sacrifice their lives in defense of their homes and their country.” 
The statue in Patterson Park isn’t the first to be vandalized in recent months. Among other incidents, a monument in Bolton Hill to Francis Scott Key — who wrote the poem that would later become the national anthem — was splashed with red paint in September. There, too, the words "Racist Anthem" were written in paint. 
And in August, a monument to Christopher Columbus in Herring Run Park was smashed. A video posted to YouTube showed a man striking the base of the monument with a sledgehammer. Another person held a sign that said "Racism, tear it down."
Baltimore was founded as a white city, built by white people to shelter generations of white Baltimoreans to come. It was abandoned by white people when black crime became a constant threat, and is now a 70 percent black city lorded over by black elected officials utilizing the specter of black crime to keep gentrification at bay.

Our monuments, built to celebrate our history, stand as powerful rebukes to the egalitarianism dominating 21st century American life, which is why they must be defaced, vandalized, demonized, and ultimately destroyed.

It should be noted white children in 1914 raised those pennies to build a monument to their people, one their children and grandchildren could admire. In 2018, Baltimore City Schools has a student body roughly 8 percent white, 80 percent black and 10 percent Hispanic.




Sunday, January 14, 2018

Her Name is Alice Wright: White 74-year-old Woman Murdered by Two Blacks in 94% White Suburb of Indianapolis

“Of course problem is not solved. You know, as long as people can be judged by the color of their skin, problem’s not solved. As long as there are people who still, there’s a whole generation – I say this, you know, I said this, you know, for apartheid South Africa, I said this for my own, you know, community in the south–there are still generations of people, older people, who were born and bred and marinated in it, in that prejudice and racism, and they just have to die.” -- Oprah Winfrey


Brownsburg, Indiana, a suburb of Indianapolis.

A 94 percent white community of 21,000 people (97 percent white in 2000). 

An elderly white woman, Alice Wright, utilized an in-home nurse aide in the form of Kiesha Summerhill. 
Rest in peace, Alice Wright


Kiesha is black, and with her black boyfriend, this former in-home nursing assistant murdered Alice Wright in a 'robbery gone wrong'.[2 arrested in murder of Brownsburg grandmother, WISH-TV, 1-12-18]:
Police said Friday a man and a woman have been arrested and preliminarily charged with murder in the shooting death of 74-year-old Alice Wright of Brownsburg. 
Arion Cruthird, 19 and Kiesha Summerhill, 18 both of Indianapolis, are in custody. 
Wright was found dead in her bedroom with a gunshot wound just before 9 a.m. 
Sunday by her daughter, according to Brownsburg Police Department Capt. 
Jennifer Barrett. She has said investigators believe Wright died between 12 and 24 hours before she was found. An autopsy found the manner of death was homicide and the cause of death was multiple traumas that complicated her hypertensive cardiovascular disease.
Both have been arrested for the murder of Alice Wright. Kiesha, right, was a former in-house nurse for Mrs. Wright
Barrett said the daughter discovered her father, Kerney Wright, on the ground out of his wheelchair in the living room. Barrett said Kerney was conscious and was taken for the hospital for his diabetic condition; he has since been released. 
About the suspects, Barrett said at a Friday night news conference at the police station, “These two individuals are in a dating relationship, and Kiesha Summerhill was a previous nurses aide who cared for Mr. Wright in his home. We do believe robbery was the motive for the murder, as there are items missing from the home.” 
The two suspects were taken into custody in the 2300 block of North LaSalle Street in Indianapolis without incident on Thursday night. Additional charges were expected, police said. The charges were filed in Hendricks Superior Court 5, but no court dates have been set. 
Neighbors along Stonehenge Drive remembered Alice as a down-to-earth, sweet grandmother. 
The family created a GoFundMe to assist with Kerney’s medical expenses. You can donate by clicking here.
One can only wonder what Oprah Winfrey would say about the murder of Alice Wright, a 74-year-old white woman living in an almost all-white suburb of Indianapolis.  Was she one of those white people Winfrey labeled as having been "born and bred and marinated in it, in that prejudice and racism, and they just have to die"? 



Friday, January 12, 2018

Inadvertently, Los Angeles Times article proves Trump's case about "Sh-thole" countries


An article alluding to the white genocide of French in San Domingo, which blacks in Haiti soundly remember? 

Check. 

An article where a black pastor fails to come up with legitimate contributions of blacks to America? 

Check. [For black Americans, Trump's 'shithole' comment was an insult to their histories, Los Angeles Times, 1-12-18]:
The Rev. Raphael G. Warnock, senior pastor of Ebenezer Baptist Church, who believes his ancestors came to the United States as slaves from Cameroon in central Africa, said that Trump's comments were deeply personal.  
“I serve as pastor at a church that is filled with people from far corners of the globe, certainly from throughout the African diaspora,” Warnock said in an interview. “I mean, where would America be without its African descendants? There would be no jazz, the only original music coming from America. There would be no blues. We wouldn't have the genius of the Rev. Martin Luther King Jr. without reference to the African continent.” 
Trump’s singling out of Haiti was particularly frustrating for descendants from the Caribbean nation, coming as the nation mourned the eighth anniversary of an earthquake that killed hundreds of thousands of residents. 
“Haiti is not unacquainted with racists or white supremacists. We defeated our share of them in 1804 when we became the world’s first black republic,” Haitian American author Edwidge Danticat wrote in a post on Facebook, expressing her frustration that Haitians’ mourning was being diverted by an insult from Trump.
The French Revolution in San Domingo by Lothrop Stoddard is the best treatise on the black racial rebellion in what is now Haiti (an insurrection leading to absolute white genocide on the island), for which the quoted black individual in this story fondly recalls as the stepping stone to the implementation of the "world's first black republic."

The "shithole" comment by Donald Trump has been his most illuminating and beautiful moment as President of the United States, helping punctuate how the corporate/mainstream/legacy media exists to run public relations for the very people turning much of America into a "shithole" as well.

We live in the early stages of revolutionary times, where the restoration of racial sanity (rescuing it from the vise of state-mandated egalitarian mores) seems plausible.

Who knew the entire anti-white world order was so fragile, the uttering of one adjective - to describe the conditions nonwhites collectively create in the absence of white people - was a simple enough gesture to blow away decades of carefully crafted plans attempting to convince whites they had a moral duty to set aside the dreams of their people to uplift the lives of every other person on the planet?


Thursday, January 11, 2018

President Trump Exposes Republican and Democrat Elite are United in the Belief All Haitians Have a Right to Immigrate to America

A few weeks ago, President Trump allegedly stated Haitian immigrants "all have AIDS."

The media went nuts.

Shot:



Chaser:


Appears the Dominican Republic doesn't share the same glowing feelings for Haitians, whom they share an island with, as white liberals in America profess for them.

Wednesday, January 10, 2018

“Black Lightning” Television Show the Equivalent of 'V for Vendetta" Storm Saxon: Anti-White Hate Goes Mainstream in Pop Culture

In Alan Moore's graphic novel V for Vendetta, Storm Saxon is racist trope within the comic, a television character of an aryan warrior battling nonwhite hordes to pleasure the fascist society depicted in one of the more gratuitously liberal pieces of fiction ever written. 

Saxon is a caricature of what left-leaning white people believe wrong-thinking whites would easily desire seeing in all popular culture were it not for their bravery in maintaining proper decorum and rigid control of the levers of power. 


In our more enlightened world, we get the inverse of Storm Saxon, a character immediately revealing the true nature of power in 2018 America. 

Black power, that is. [On ‘Black Lightning,’ a Superhero Takes On Race, Justice and the Real World, NY Times, 1-9-18]:
It is a disturbingly familiar scene: a black motorist standing outside his car on a rainy night, arguing with the white police officer who has pulled him over for seemingly no reason. 
As this moment plays out in the opening minutes of “Black Lightning,” the CW series based on that DC superhero, the motorist in question is Jefferson Pierce (Cress Williams), who stepped back from his role as a crime-fighting vigilante to focus on his civilian identity as a high-school principal and father to two teenage daughters. 
Just when his roadside confrontation is about to cross a dangerous threshold, Pierce closes his eyes. When he reopens them, his pupils glow with angry electricity, the lights on the police car flicker out momentarily, and the cop lets Pierce go. Just a case of mistaken identity. 
But in Pierce’s mind, he has decided that he must become Black Lightning again.
“Black Lightning,” which debuts on Jan. 16, shares its roots in the comic-book adventures that have yielded other CW shows like “Arrow,” “The Flash” and “Supergirl.” But where those other programs often coat their real-world commentary in layers of allegory, “Black Lightning” takes on issues of race and social justice directly and unambiguously. 
The confrontation between Pierce and the police officer is not just a metaphor for the experience of black people in contemporary America; it is drawn from the real life of Salim Akil, the show runner and an executive producer of “Black Lightning.”
Describing an incident in which he was halted just outside his office in Santa Monica, Calif., Mr. Akil said in a recent interview, “I had been stopped by the police quite a few times, but my anger in being stopped again was about to get me killed. I stopped putting on the mask of, this is how I’m supposed to act in these situations.” 
“At a certain point,” he added, “I closed my eyes and took a moment. And I asked myself, is this really worth dying for?” 
In that situation, Mr. Akil could not call on any superhuman abilities. But he sees “Black Lightning” and the platform it provides as a power in its own right. 
“I’ve been given a gift,” Mr. Akil said of the show, “and I have to use it the way I think I’m intended to use it, to talk about the things I feel people need to talk about.” 
Mr. Akil, who is credited with developing “Black Lightning,” has worked widely as a director of films (“Jumping the Broom”) and a writer, director and producer of television shows like “Girlfriends,” “The Game” and “Being Mary Jane,” series that were created by his wife, Mara Brock Akil. (They are also collaborating on shows for other networks, including the OWN comedy-drama “Love Is ___.”)

Ms. Akil, who is also an executive producer of “Black Lightning,” said she likes to think of her TV characters as possessing “black girl magic,” which she explained as “power without the suits or capes.” In childhood, she said she had an affection for more traditional superheroes like Wonder Womanand the Bionic Woman.

Mr. Akil’s youthful fascination with costumed crime-fighters was more complicated. Though he loved comic books so much that he wore a Batman costume to school one Halloween, he drifted away from the medium.

“I never saw a true representation — an iconic hero — for myself,” Mr. Akil said. “It just got boring, reading about all these really powerful and heroic white guys.”

This goes far, far beyond the trope of Storm Saxon. Outside of Hollywood and the mainstream media desperate to paint a picture of Freddie Gray and Michael Brown as entirely innocent little boys besieged by racist white police officers, I'm not sure the "disturbingly familiar scene" of a black motorist arguing with aggressive white police officers in the pouring rain  has ever entered my mind.

It's entirely the inverse of the Storm Saxon character, a minor character within the universe Alan Moore created for V for Vendetta to help illustrate how a white racial government would inculcate its people into understanding the swarthy threat nonwhites poised to peace and stability within their utopian regime.

Black Lightning is nothing more than Storm Saxon, the latter a fictional character to help motivate the white population to hate nonwhites.

So what is the former? A black character to help motivate the black population to hate whites.

Who do you see commercials for in 2018 America and gushing New York Times articles promoting the impending debut for on television?

Tuesday, January 9, 2018

His Name is Jason Endres: White Man Trying to Stop Home Invasion of a Neighbor Murdered by Two Blacks in Oklahoma City

There are no tears for white working class, because we have no leadership to advocate on behalf of their state-created (the public sector working in tandem with corporate America) plight. 

To our elite, the white working class is expendable, an antiquated reminder of a nearly exhausted nation heroically being extinguished by mass immigration. 

Which brings us the story of two white people from the conquered state of California, who moved to Oklahoma to start a new life. [Shooting Victim Dies After Home Invasion At NW OKC Apartment Complex, 1-2-18]:

A man was fatally shot during a home invasion Wednesday at a northwest Oklahoma City apartment complex, police said.
RIP Jason... just another white American murdered by blacks, a story few living in Oklahoma City will even read about
Jason Endres, 31, died Friday in a local hospital as a result of his injuries. He was shot about 8:30 a.m. Wednesday at the Raindance Apartments near Pennsylvania and NW 122 
Witnesses told police two black males were breaking into an apartment when Endres went to help his neighbor. The suspects pistol-whipped a 17-year-old male in the apartment and one suspect shot Endres 
Lorenzo Eastland, 25, was arrested Wednesday in connection with the home invasion and shooting. He was booked into the Oklahoma County jail on complaints of robbery, possession of a firearm, first degree burglary, assault with a deadly weapon and first degree murder.

Jason Endres wife, Elizabeth, wrapped his arm in a towel to try and stop the bleeding. Her interview with a local news affiliate in Oklahoma City would be broadcast on every national media outlet and cable news channel if white privilege were a real force in America.

Instead, two black males have just murdered a white male in Oklahoma City, a story even the citizens of the state capital of Oklahoma have probably gone without noticing. [Widow plans to return to California, The Oklahoman, 1-4-18]:


Jason and Elizabeth Endres moved to Oklahoma City from southern California nearly three years ago. This month, she'll be moving back a widow. 
Jason Endres, 31, was hit by a blast from a 12-gauge shotgun when he attempted to intervene in a home invasion in the couple's apartment complex. He held on for two days before succumbing to his wounds. 
"He fought, but they said he had a very bad brain injury, and if he did open his eyes, he could never leave the hospital," wife Elizabeth Endres, 27, said. "They unhooked him from the ventilators and he passed after three hours of being unhooked. He died listening to System of a Down's 'Aerials,' his favorite song." 
The couple were asleep in bed about 8:30 a.m. Dec. 27 at Raindance Apartments, 2201 NW 122 when the dogs woke them up. The couple heard a commotion in a downstairs apartment, and Jason Endres went to help. 
In the end, a 17-year-old boy in the lower apartment was pistol-whipped, and Elizabeth Endres was dressing her husband's gunshot wound with a towel as paramedics arrived. 
"I heard him yelling, and I heard the other guy yelling. I hear a pop, and the next thing I smelled was gunpowder," Elizabeth Endres said. "My husband didn't die a bystander. He died a hero." 
The couple met at an Anaheim Angels baseball game when she was 12 years old. A decade later, they were a couple. Last year, they married. 
"Jason had a hard life. He was dealt with the wrong cards from the get-go, but he never let it stop him," she said. 
Beneath his rough exterior, he was a warm, sweet man who'd do anything to help someone in need. Having been homeless at one point in their relationship, Jason Endres liked to help when he could, she said. 
He promised his wife a better life if they moved from Riverside County to Oklahoma City. The couple landed in Oklahoma in March 2015. 
Jason Endres was a cook by trade, and recently started work at The Cheesecake Factory. In previous stints, he served meals to Reba McEntire, Willie Nelson and Michael Jackson's father over the years, she said. 
"He would always brag that he got a hundred-dollar tip from Reba," Elizabeth Endres said. 
When he wasn't cooking, he played video games, especially the Call of Duty series. 
He boasted of having a relative involved in Operation Valkyrie, a failed assassination attempt on Adolf Hitler. 
"He was happy to have a family member who tried to blow up Hitler. We both have family who served in World War II," she said.

Bragged about having a relative involved in Operation Valkyrie, only to spend his final lucid moments on earth drifting in and out of conscious as his wife tended a fatal wound fired by a black criminal. 

Somehow, I don't think this is the future Adolf Hitler, his relative who participated in Operation Valkyrie or his wife had in mind. 

Few will mourn Jason Endres. 

Even fewer will remember him as the present becomes the future. 

But the United States of America in 2018 is one whose elite are dedicated to ensuring white people never read stories about what happened to Jason Endres, how he lived or how he died. 

He was of the untouchable caste in the USA, a member of the white working class. He was part of no tribe, allowed no voice and denied any advocacy group. 

A nomad in his own country. 






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Sunday, January 7, 2018

Meg Murry is White: In Upcoming "A Wrinkle in Time" Disney Film, Black Director Deliberately Casts Black Actress in White Role

Cultural appropriation. 

Blackwashing (you know, the opposite of whitewashing non-white characters in a movie). 


When you live in a country where black people are promoted to positions of authority/power/influence when they exhibit greater racial loyalty to their people at the exclusion of others, you'll understand why the grossly overrated director Ava DuVernay was allowed racially recreate a beloved children's book as her own black fantasy. 



Madeline L'Engle, a white author, wrote the absolute classic A Wrinkle in Time, and every image/drawing we've ever seen of the primary characters clearly establish them as caucasian. These were all on the cover of paperback adaptions published during her life, with the young heroes/heroine of L'Engle story all caucasian. 


The 2012 graphic novel also depicts the children as white.


But DuVernay and Disney decided the "diversity of the modern world" meant this monochromatic story needed a nonwhite update. [A Wrinkle in Time first look: Oprah, Reese Witherspoon, Mindy Kaling, and more, Entertainment Weekly, July 12, 2017]:

Director Ava DuVernay, fresh off of heavy projects like the civil rights drama Selma and her criminal-justice exposé 13th, was drawn to dabble in uncharted sci-fi territory upon discovering author Madeline L’Engle’s novel as an adult. DuVernay hadn’t read the novel — “I went to school in Compton and it wasn’t on my reading list,” she jokes — but the director, for whom time and energy on any project is a precious investment to saysomething, was impressed with the progressive ideas that L’Engle buried in her beloved 1962 novel. “I saw so much beauty in it, but also so much meaning. She’s a very radical thinker and she embedded her sense of what society should and could be in this piece, and a lot of it I agree with,” says DuVernay. “And through that, the story of this girl saving the world and being out there in the universe slaying the darkness, it also says a lot about slaying our own dragons.” 
Two key elements convinced DuVernay that Wrinkle, with its script by Oscar winner Jennifer Lee (Frozen), was worth investigating when Disney proposed the idea. “The first image [I had in my head] was to place a brown girl in that role of Meg, a girl traveling to different planets and encountering beings and situations that I’d never seen a girl of color in,” she explains. “All of those scenes struck my fancy, and then it was also something that [Disney VP of production] Tendo Nagenda said to me, which I’ll never forget. One of the things that really made me want to read it was when he said, ‘Ava, imagine what you would do with the worlds.’ Worlds! ‘Planets no one’s ever seen or heard of,’ he said. There aren’t any other black women who have been invited to imagine what other planets in the universe might look and feel like. I was interested in that and in a heroine that looked like the girls I grew up with.”
Cultural appropriation. 

Blackwashing. 


In an interview Vulture Festival in Los Angeles, DuVernay made it quite clear the racial loyalty to her blackness she maintained as being the primary decision behind the reimagining of Meg was all about "black girl magic":

What’s the biggest connection the two of you have to your lead characters? 
AD: With Meg, the opportunity to explore some real black girl magic onscreen … I’m not mad at that, you know? Something I think both of our films do is challenge the idea of who gets to be the hero. In Wrinkle in Time, literally this girl of color saves the universe — not just the world, multiple planets and galaxies. I mean, that’s such a radical idea as a woman of color, as anyone who’s outside the industry contract of who’s usually put forth as the hero in cinema. To deconstruct that, to unpack that, is really what attracted me to it.

Were it white people engaging in whitewashing or cultural appropriation, every individual (producer/actor/visual special effects artists/makeup artists/caterer) connected with the production would be hounded until they quit. When blackwashing and cultural appropriation of white culture happens, you get a Time magazine cover story praising the effort.



Madeline L'Engle no doubt approved every drawing of Meg Murry and her compatriots that would appear on the cover of her story, and they were always white children. 


Disney, obviously looking to score corporate Social Justice Warrior points (or protection from the SJW racket?), gave DuVernay the honor of being the first black woman to direct a movie with more than a $100 million budget. 


She was allowed to make her racial fantasy film off the back of a story written by a dead white woman, primarily because Disney is more concerned with scoring SJW points and favors than producing films of merit (the criminally underrated 2015 Tomorrowland boasted a fantastic all-white cast, an anachronism in the current year). [A Wrinkle in TimeHas Found Its Meg:Mindy Kaling and Reese Witherspoon are also officially on board Ava DuVernay’s reimagining of Madeleine L’Engle’s classic novel, Vanity Fair, 9-13-2016]:

DuVernay’s original casting announcement called for “a 14-year-old mixed-race girl of African-American and Caucasian descent. This girl is questioning her life, her place in the world and her family. . . . While troubled, she possesses untapped strength and intelligence which carries her through her search for truth.” The listingfor the other kid characters in the film, Charles and Calvin—who is described as red-headed in the book; both characters are played by white actors in the 2003 TV movie—calls for “a 5-year-old mixed-race boy of African-American and Caucasian descent” and “a 16-year-old boy who is an ethnic minority.” 
In a recent interview with Vanity Fair, DuVernay said Disney was fully on board with her vision of a multicultural cast: “‘This is how I see the story,’” she recalls telling them during an early meeting. “They were like, ‘Yup, good, O.K. So what do you need?’” 
Cultural appropriation. 

Blackwashing. 



A beloved story by a white author about white children is culturally appropriated by a viciously anti-white black director who blackwashes the entire story to advance her pro-black agenda.


This describes Disney's 2017 A Wrinkle in Time perfectly.

Meg Murry is white.


Saturday, January 6, 2018

Two Kroger Grocery Stores in 98% Black communities in Memphis Closing Because of High Rates of Theft

Zip code 38109 is found in Memphis, Tennessee. The residents of this zip code are almost 98% black

Zip code 38114 is found in Memphis, Tennessee. The residents of this zip code are almost 97% black


Why is this important? 
Two Kroger grocery stores in Memphis, one located in a 98% black community (zip code 38109), will be closing because of high rates of "theft"


Because Kroger is set to close two stores located within these respective zip codes that have lost a combined $4 million + in the past three years. [Kroger to close 2 Memphis grocery stores that have lost millions since 2014, Memphis Commercial-Appeal, 1-3-18]:



Two Kroger grocery stores in the core of Memphis will close next month because they are losing money, the company announced Wednesday.
The Kroger at 1977 South Third in the Southgate shopping center will close after losing $2,090,020 since 2014, according to a company news release. 
The Kroger at 2269 Lamar, near Airways, will close after losing $2,677,665 since 2014, the release states.
Well, why might these two Kroger locations in almost all-black communities of Memphis have lost nearly $5 million over three years? 

Isn't the answer obvious? Because they are located in almost all-black areas, meaning heavy theft. You can't keep the contents of an entire grocery store behind bulletproof glass (Plexiglass®)...[Councilwoman claims Kroger blamed losses on theft, WREG.com, 1-5-18]:
Memphis City Councilwoman Jamita Swearengen is claiming Kroger pointed to theft as a reason for closing one of its stores. 
At a news conference Friday afternoon, Swearengen recounted a phone call said she had with a Kroger representative on Tuesday. 
She said the representative cited millions of dollars in losses over a three-year period at the Lamar Avenue Kroger as the reason for closing it. 
"I then asked, 'What was the contributing factor?' She shared, 'Mostly theft,'" Swearengen said. "I was in disbelief because this is the community that I live in and this is the Kroger where I shop." 
A Kroger representative denied Swearengen's recollection of the phone call, saying "theft" was never cited as a reason for losses at the store. 
"I told her I did not want to speculate as I am sure it is a number of things, but we cannot speculate," Kroger spokeswoman Teresa Dickerson emailed to WREG. 
"It's hard to believe that theft is the problem," said Kroger shopper Jacob Mickens. 
WREG checked MPD's crime database and found 12 instances of theft or shoplifting in the past 90 days at the Lamar Avenue store. 
There were no thefts recorded at the South Third Street store. 
Councilman Edmund Ford Jr. said he also got a call from Kroger Tuesday but said they never mentioned theft. 
"That was not articulated to me. Only the word 'loss' was articulated to me," said Ford. 
'Loss' is a word many Kroger shoppers say they can identify with as they process news of the two pending closures. 
"My family been shopping at Kroger over 55 years," said Mickens, who shops at the Lamar Avenue location. 
With the two stores gone, many worry their neighbors will have to walk for miles in order to find fresh food. 
"For those people who aren't fortunate, I don't know where the heck they gonna go for groceries," said Kroger shopper Sara Lewis.
At the end of the day, publicly traded companies must answer to balance sheets, income statements and shareholders.

The Visible Black Hand of Economics is a foolproof concept, capable to withstand any peer review and providing irrefutable evidence to how and why communities flourish or flounder in the United States of America.

The blacker a community in the USA, the less likely social capital will flourish.

In laymen terms: a food desert is what occurs when you regress to the black mean.