This website will serve to educate the general public on Black people and the Stuff That Black People Don't Like. Black people have many interesting eccentricities, which include disliking a litany of everyday events, places, household objects and other aspects of their everyday life.
Black people are an interesting subject matter and this website will chronicle the many problems in life that agitate this group of people.
To suggest material, please contact sbpdl1@gmail.com
Pixar Animation Studios is an American CGI animation production company based in Emeryville, California, United States. To date, the studio has earned twenty-four Academy Awards, six Golden Globes, and three Grammys, among many other awards, acknowledgments and achievements and has made $5.5 billion worldwide. It is one of the most critically acclaimed film studios of all time, and, according to Rotten Tomatoes, perhaps the most critically acclaimed film studio of all time[1][2]. It is currently the only film studio to have produced a film franchise of which all its films have received a 100% "Certified Fresh" rating on the site (Toy Story). It is best known for its CGI-animated feature films which are created with PhotoRealistic RenderMan, its own implementation of the industry-standard Renderman image-renderingAPI used to generate high-quality images.
Woody, Buzz Lightyear, The Parr family in The Incredibles and virtually every person (in many Pixar films, the main characters are fish, monsters, cars, bugs or rats virtually all voiced by white people) in Pixar films is white.
Diversity must have been left on the cutting room floor of Pixar as this noble idea is left out of every Pixar film. It seems story-telling, narrative and ingenuity are in demand at this company.
Odd though, this lack of diversity in the actual people that populate the world of Pixar films has lead to only massive box office returns.
One website discussed the lack of diversity in Pixar films, but failed to address the real problem inherent in the discussion: Pixar's usage of white people in their films and voices provided primarily by white actors correlates to massive box office returns.
Some have even dared to label Pixar... conservative! In fact, Pixar's films have had the incredible ability to upset special interest groups, such as a group of obese people who found the film WALL-E intolerant to their collectively turgid ways:
WALL-E has garnered rave reviews for its satire on consumer culture, in which future humans are depicted as a group of obese gluttons who never leave their padded floating arm chairs.
But one group is not amused - the swelling ranks of fat pride groups, who believe the film propagates anti-obesity hysteria comparable with the quest for the perfect body by the eugenics movement in Nazi Germany.
The backlash has become a cause celebre for a growth industry in the United States, where pro-flab "fat-tivists" are campaigning for human rights for the full of figure.
As the WALL-E controversy hit the headlines, the National Association to Advance Fat Acceptance (Naafa) was last week holding its annual convention in Los Angeles, a celebration of so-called "flabulous figures", seminars on fat discrimination, a fat fashion show, podgy pool parties and entertainment from weighty singing group The Fatimas.
Yes, the corpulent of the world found WALL-E unacceptable for its portrayal of fat people as lazy. Of course, the future of Black women isn't exactly healthy as The Atlantic magazine reports some startling news that all Black women in 30 years - if trends of overeating continue - will be considered morbidly obese.
WALL-E, The Incredibles and the Toy Story trilogy are movies that target white people. Save for Samuel L. Jackson's character, the world of Pixar is a world where Black people scarcely exist.
We told you about this film before, as Black people had been patiently waiting for a Black Disney princess for nearly 100 years. Now they have her, and all critics aren't singing her praises:
"Six decades after unleashing persistent NAACP bugaboo Song of the South (1946), and two after firmly suppressing it, that peculiar cultural institution known as the Walt Disney Company has made a symbolic reparation by creating its first African-American princess—and plunking her down in the middle of Jim Crow–era Louisiana! A patronizing fantasia of plantation life in post–Civil War Georgia, Song could at least be understood—if hardly excused—as a product of its time (18 years before the passage of the Civil Rights Act). But is Disney's latest, The Princess and the Frog, the Obama-era fairy tale that anyone other than the "birther" crowd has been waiting for?
This hasn't been a banner season for black characters in American movies, from the women lusting after ideals of white beauty in Chris Rock's documentary Good Hair (FYI, Tiana also sports a chemically "relaxed" 'do) to the high school football phenom showered with Sandra Bullock's charity in The Blind Side.
Indeed, it says something when, excepting Nelson Mandela in Clint Eastwood's forthcoming Invictus, the closest thing to an assertive, self-confident role model onscreen right now is the obese, illiterate, abused, and HIV-positive "Precious" Jones, who eventually stops fantasizing that someday her prince might come and gets down to the business of getting her GED."
Rottentomatoes.com, a fantastic website that brings together all the reviews of films to create a "fresh" rating, found that The Princess and the Frog garnered a rating of 83 percent fresh, which means a lot of critics were afraid of writing anything negative about a Black princess for fear of their jobs.
Let's be honest: the movie appeals to Black people only, and with 13 percent of population counting as African-American, the ability for this film to be a big money maker for Disney is not a winning proposition.
It will be interesting to see if this film can even crack $100 million in the domestic box office market. Why is this film so important - besides being the first Black Disney princess film - you might ask? Simple:
"Let's remember : in 2003, Disney closed down their 2D animation department, deciding to stop making more "line drawn" animated films like their past glories from the 90's : The Lion King, Aladdin, Beauty & the Beast... That decision was based mainly on the fact that CGI films earned more at the time than their films (Brother Bear, Treasure Planet, ...), which lead to the release of films like Chicken Little, Meet the Robinsons, The Wild. "
So Disney decided to dump the first Black princess into a genre of animation that hasn't garnered much money since the 1990s, instead of creating a Pixar film that continues to see massive profits for the company being produced with lily-white casts.
Stuff Black People Don't Like will include The Princess and the Frog bombing, for Black people alone seeing this film five or six times won't save it from being a monumental flop that puts the final nail in the coffin of Disney 2D animation:
"First of all this movie is pretty terrific. It's funny, emotional, scary, and genuinely romantic; so everyone who has kids or likes animation should really make a point to check it out before the end of the year. Second of all, the cold truth is that this opening was actually pretty weak. When you consider the publicity that this film received for its 'groundbreaking' African American characters and the buzz over the return to traditional 2D cell animation, I'm pretty sure Disney was hoping for at least a bigger opening than Bolt or Meet the Robinsons.
Heck, it barely beats out the October 03 $19 million opening of Brother Bear when adjusted for inflation ($23 million at 2009 prices). And it certainly sold fewer tickets than the various $20-$22 million openings of The Hunchback of Notre Dame, Hercules, Mulan, and Atlantis: The Lost Empire back when Disney was in an alleged post-Lion King 'slump.'"
The wait is finally over. After patiently waiting nearly a century to see it, Black people will finally enjoy the sight of a Black princess in a Walt Disney film, with the November 25 release of The Princess and the Frog:
"Move over Snow White. Make room for Disney’s first black princess.
With America’s first African-American president in the White House, Disney is counting on an African-American princess to be a big hit in Hollywood.
But even though The Princess and the Frog isn’t released until later this year, it is already stirring up controversy.
For while Princess Tiana and many in the cartoon cast are black – the prince is not.
Which has led some critics to complain that Disney has ducked the opportunity for a fairytale ending for a black prince and princess.
While some have hailed Disney’s decision as a reflection of melting pot America, others say the company is sending out a mixed message.
Although the black princess’s love interest in the new animated musical is called Prince Naveen of Maldonia and is voiced by a Brazilian actor, he looks more white than black in photographs from the film that Disney have released.
Since Snow White and the Seven Dwarfs in 1937, all of Disney’s princesses have predominantly been white.
A native Indian princess was featured in Pocahontas and Jasmine in Aladdin had a Middle Eastern appearance."
Analyst are unsure if this movie will play with a global audience, for as we found out earlier Black people don't like their own hair and do everything they can to make it appear like a white persons locks, but the ebony Disney princess appears to be of perhaps 1/4 or 1/8 African ancestry. Thus, can she really be an authentically Black princess, when her features are oh so white?:
"The Frog Princess is the first animated film to be conceived since Disney's 2006 acquisition of Pixar Animation Studios, the computer animation house that created such blockbusters as Toy Story, A Bug's Life, Finding Nemo and Cars.
The use of a classic hand-drawn process may be an indication Disney intends to create two streams of animation — one computer based, one based on more classic techniques.
Randy Newman, who created music for Toy Story, A Bug's Life and Cars, will write the score.
John Musker and and Ron Clements, who co-directed TheLittle Mermaid, Aladdin and Hercules, wrote the story and will direct the film, which is set in New Orleans.
"The film's New Orleans setting and strong princess character give the film lots of excitement and texture," Walt Disney Studios Chairman Dick Cook said.
The heroine, Maddy, becomes the first African American among the Disney princesses, who are collectively responsible for more than $3 billion in annual retail sales.
Disney abandoned hand-drawn animation after 2004's Home on the Range, one of a series of animated films that provided poor returns.
The company bought Pixar, known for its computer-generated imagery, and gave Pixar's John Lasseter creative control of animated features.
Analysts said Disney may be retesting hand-drawn works with The Frog Princess with the idea of producing more films using the classic animation process that launched the original Disney studios."
A hand-drawn cartoon coming out in an era of James Cameron's Avatar and other computer animated movies, such as Pixar's Toy Story 3, might be bit of a stretch, considering Disney's last hand-drawn film - Home on the Range - made a whopping $50 million at the domestic box office (compared to Pixar's Up, which made $292 million).
Black people might not like the answer to this question, but are they being used in an attempt to regenerate interest in Disney's traditional money-making behemoth (hand-drawn animated films)?
After all, it will be primarily Black people in the audience of The Princess and the Frog, for this is who the movie is appealing to (interesting the setting for the film is everyone's favorite chocolate city, New Orleans).
"Fifty years after psychologist Kenneth Clark conducted the doll test that was used to help make the case for desegregation in the landmark case Brown v. Board of Education, a 17-year-old filmmaker redid the social experiment and learned that not much has changed.
In the 1954 test, Clark showed children a black doll and a white doll and asked black children which doll they preferred. The majority chose the white. The findings were not surprising for the time. In the summer of 2005, Kiri Davis, a high-school teen, sat with 21 black kids in New York and found that 16 of them liked the white doll better.
"Can you show me the doll that you like best?" Davis asked a black girl in the film. The girl picked the white doll immediately. When asked to show the doll that "looks bad," the girl chose the black doll. But when Davis asked the girl, "Can you give me the doll that looks like you?" the black girl first touched the white doll and then reluctantly pushed the black doll ahead.
The film has left audiences across the country stunned and has reignited a powerful debate over race."It's amazing that two generations after the 'Black Is Beautiful' mantra of the 1960s, some African Americans still believe that it's not," Monroe Anderson wrote in the blog MultiCultClassics.
"It's amazing that four decades after James Brown's chart-topper, 'I'm Black and I'm Proud,' so many African Americans aren't. It's amazing that in the same year hip-hop artist Kanye West told the world that 'President Bush doesn't care about black people,' Davis was discovering that neither do shorties in Harlem."
One blogger thinks that when black girls try to bleach their skin or black kids pick white dolls as a better-looking toy, it is merely a reflection of the societal stereotype. This stereotype is continually reinforced."
SBPDL is going to lapse into a prediction: The Princess and the Frog will make roughly $125 million at the domestic box office, flop in Europe and be a relative hit in South America. Black people will flock to the film like single women did to Titanic and testosterone fueled guys did to 300.
However, the merchandise wing of Disney will profit nicely off the ethnocentrism that Black people rightly feel for this film, as they will buy their kids every conceivable piece of flair that promotes this movie:
"This Halloween, 4.5 million girls will dress up as a princess, according to a recent survey from the National Retail Federation. More than a few of them will be a Disney princess, a category that ranks seventh on this year's list of top 10 costumes for kids. Cinderella has been a perennial favorite, but this season, there's another princess on the rise. Princess Tiana, Disney's first new princess in 10 years, is also the brand's first African-American princess. The movie, "The Princess and the Frog," is a musical fairy tale in which Tiana, a girl from New Orleans, voiced by actress Anika Noni Rose, is mistaken for a princess by a frog prince who asks her to kiss him to break the spell. Though the film does not arrive in theaters until Dec. 11, Tiana Halloween costumes are already a hot property. And in an unusual twist, the character is resonating more with adults than with little girls.
Deidra Willis, 31, went through great pains to track down a Tiana costume for her 2-year-old daughter, Daylin. At one store, the costume was already sold out. At a another, she saw no trace of Princess Tiana. A friend was finally able to locate a costume at yet another retailer, Willis said. Good thing, because Willis was just about ready to create her own version of the outfit based on images from the movie trailer.
Disney Consumer Products representatives confirmed they have received calls from customers looking for the sold-out costumes. Sales, they said, have exceeded expectations, especially since the film has yet to be released. Willis typically doesn't celebrate Halloween, but this year, Princess Tiana was a good enough reason to start.
"I am very passionate about this particular Disney character," Willis said. "It has been 100 years in the making. I've been very disturbed because I love the concept of a princess, but they don't exist for the African-American community."
The excitement extends well beyond Halloween. Willis, like many parents of African-American girls, has taken a hard line on Disney products. She has avoided filling her daughter's toy box with too many princess products that don't reflect her image. The only other Disney-themed product she has purchased are Pull-Ups, but she has plans to scoop up more of the Tiana merchandise.
"I'm looking for Tiana dolls. I want pajamas and slippers. When I go to get her toddler bed from Toys 'R' Us, I want a Tiana bed to be there," Willis said.
If interest in Tiana merchandise is to be expected, so much early interest is less the norm. Usually, it's kids begging their moms to buy them princess this or that, but Tiana has moms all aflutter.
Nicole Nobles' 5-year-old daughter, Jaida, opted to be a cheerleader for Halloween this year (she had been a Disney princess for three years running, including Snow White and Cinderella), but Nobles can't wait to buy a Tiana doll for her daughter this holiday season.
"I refuse to put Sleeping Beauty on her bed," said Nobles, of Jonesboro. "I heard about Tiana, and I said 'Oh we are definitely going to get that one.' "
A Princess Tiana cookbook for kids, Tiana Band-Aids, a calendar, apparel and plush toys are already available for purchase online and at mass retailers. A Princess Tiana-inspired wedding gown, part of the Kirstie Kelly for Disney Fairy Tale Weddings collection, will be available this spring.
It is unusual to see so much merchandise hitting the market two months in advance of the film, said Suzanne Diamond, a marketing lecturer at the University of Pennsylvania's Wharton School of Business and president of Diamond Group Ltd. The early in-store arrival of Tiana products is in part an effort to get the merchandise on shelves for holiday shopping season.
"You would normally time it for the merchandise to hit at the same time as the movie, maybe slightly before, so you can capitalize on all the excitement and extend the brand," she said. "This is fascinating because this is really driven by the moms. This is very significant to the moms and it is word of mouth."
While the $4 billion Disney Princess brand is supported by a massive marketing strategy (which should begin in a few weeks for Tiana products), the buzz already generated by blogs and other less traditional forms of advertising helped Carol's Daughter sell out of "A Magical Beauty Collection" gift sets in just seven hours online, said the company's founder, Lisa Price. Price, who collaborated with Disney on the line of shampoo, conditioner, detangler and bubble bath, said she sees similarities between Tiana's story and her own and that may be part of the appeal for women.
"I feel like this story has a story that goes beyond the film. Tiana is someone who has the support of her family and her family encourages her to live out her dreams. ... That is a beautiful lesson," Price said.
Pre-Obama America is dead. Welcome to the coronation of a new princess for a new nation, conceived in the proposition that all colored people are equal, and all white people must bow down to this decree.
Cinderella, Snow White, Bell (Beauty and the Beast) and Sleeping Beauty are so 20th century, and will one day appear in a list of most racist Disney characters - like this one - as a symbol of white people attempting to instill the archetype of beauty upon the beleaguered colored masses of the world - even though Black people love white dolls.
Stuff Black People Don't Like includes waiting nearly 100 year for a Black Disney princess, for every princess since Walt Disney conceived Mickey Mouse should have been Black, and it is an absolute joke that we had to wait until 2009 to be graced with the beauty of an obviously Octoroon princess.
When all is said and done, Black people will still probably scream that The Princess and the Frog is racist and demand another princess be drawn to raise self-esteem among young Black girls. A trailer for the film can be viewed here.
