Most Dangerous Neighborhoods in America and the District B13 Solution

In the movie District B13 the ghettos of Paris, France have been walled off, sealed and quarantined. 24-hour patrols guard those left behind the wall from ever escaping, keeping the high-rates of crime and therapeutic car burning sessions contained and confined.

This is just a movie – though we have learned who the real Crazies are in America – but a new study showcasing the 25 most dangerous neighborhoods in America offer city planner’s prime candidates for areas in need of immediate walling-off:

For the second year in a row, using exclusive data developed by Dr. Andrew Schiller's team at NeighborhoodScout.com, and based on FBI data from all 17,000 local law enforcement agencies, WalletPop reveals the top 25 most dangerous neighborhoods with the highest predicted rates of violent crime in America.

This year, Chicago took the not-so coveted top spot from Cincinnati for the most dangerous neighborhood, while Atlanta has the highest number of neighborhoods making the list (four).

Atlanta, Kansas City, Memphis, Charleston, Orlando, Las Vegas, Chattanooga and Chicago offer neighborhoods that help bring the property value of adjoining “safe” neighborhoods down and drive Disingenuous White Liberals engaged in gentrification  to send their kids to private schools (lest they endure the travesty of having their children learn with those Waiting for “Superman”).

Whitopia’s exist for a reason and yet few dare point out the correlation to US News and World Reports best cities to live in and the demographic makeup found in them. The types of people who call Whitopia home aren’t featured often on Thug Report. 

Few people dare point out the obvious in regards to the inhabitants of these dangerous cities, and one writer questions the prejudicial reactions people might have when they read such statistics:

Cities with neighborhoods on the list include Atlanta, Chicago, Cleveland, Las Vegas, Philadelpiha, Charlotte and Memphis, among others.  It would be difficult not to note the obvious:  that the racial make up of many of the neighborhoods on  this list is predominantly Black and Hispanic.  It thus begs the question: what is the purpose behind this second annual survey in the first place?


What it seems to do more than anything else is rationalize preconceived misconceptions people already have about the race of people that make up high crime communities in America.   Perhaps,  the point was to warn anyone who may consider hosting a rally in any of these cities to be mindful not to use public transportation that pass through those neighborhoods, similar to what the organizers of Glenn Beck’s Rally to Restore America did when they warned out-of-state rally participants to avoid the Green Line on the DC area metro system – the one that passes through mostly all black neighborhoods.

Watch the local nightly news for any of these cities and the telecast will be littered with the bodies of Black people who family members will claim “was a really good boy” or “was just trying to make it so he could graduate”…

No more excuses. In Buffalo, a city replete with Black crime, a newspaper that dared point out this obvious fact was bombarded by 700 law abiding Black citizens who took umbrage with the printed assault on their community. 

Never mind the pervasiveness of Black-on-Black crime, that’s not the real problem. White people who dare point out the problems plaguing the Black community present the real, palpable threat. 

Volunteering is an obvious casualty in the 25 most dangerous neighborhoods, where kids who Act White find themselves facing the reaper. 

A modest proposal: District B13 offers a solution to containing criminality. Curfew’s don’t work, snitching is frowned upon and not every citizen of the Most Dangerous Neighborhoods is named Michael Oher, so the obvious conclusion is to wall of these cities from humanity. 

Imagine how many barbershops would open!

People at least know which neighborhoods they need to automatically lock their doors in now.

#19. Snitching

Cooperating with police has long been an act Black people find unnecessary and in some cases, reprehensible. Doing so creates a disconnect between the Black person who finds common ground with the officer of the law and thus, they turn their back completely on the Black community at large, long suspicious of cops ulterior motives.

Life in Black communities across the nation can be difficult, as the constant struggle "to get rich or die trying" plagues those who find the notion of Acting White a pathway to riches. These idea are constantly at war with one another and never the twain shall meet.

Cities with a preponderance of Black people provide one constant regardless of the latitude or longitude: crime.

Crime is a gateway to riches in the Black community, but also represents a door to either the penitentiary or the morgue. Drug sales represent a thriving Black Market - no pun intended - that help fund gang activity, but beset a community already ravaged with hardship and heartache further, creating a vicious cycle of death and governmental promise to help eradicate the problems of the economic depressed areas.

The United States Government has worked hard over the past 50 years to help Black people in their communities succeed by spending quadrillions of dollars (factor in opportunity costs) to uplift the Black race in America.

These efforts have largely failed, providing one of the worst Return on Investments (ROIs) in the history of investments, but have yielded a net growth of corruption in majority Black cities and a complete hollowing of the infrastructure that made these metropolises (Detroit, Baltimore, New Orleans) so attractive in the first place.

Black children fed a steady diet of ESPN believe that financial rewards await them in the NBA or NFL and if those hoop dreams fade, a career in rap will yield money, women and prestige that surpasses even those of sports stars.

And when they make it big, an entourage of childhood friends and family will be "made men" and living the life of luxury provided by the one kid from the 'hood staying true to his roots.

But few Black people taste the success that is surprisingly fleeting for many Black sports or rap stars, and having eschewed education as a form of Acting White, the only way to make a living revolves around a life of crime.

It would be misguided to quote crime statistics now, for a glance at the nightly news cast reminds even the most faithful Disingenuous White Liberal of why they send their children to private schools.

Yet one thing is certain in Black communities as many crimes go unpunished thanks to one of the unwritten rules that governs Black Run America (BRA): never, ever turn your back on a brother or sister.

Black people view anyone who fails the paper bag test or whose skin appears darker than a glass of 2 percent of milk as a member of their tribe, a permanently disadvantaged group that is discriminated against by outside agitators bent on destroying their communities through clever ruses and guile.

No matter how heinous or insidious a crime is done within the Black community by a Black person, none dare dissent from the rule of never turning your back on a brother. To do so would have you branded with a letter far worse than one Hester Prynne was force to wear in The Scarlett Letter.

Black people must never be branded with an "S", a dreaded word that is on-par with an Uncle Tom or a Clarence Thomas. Deviating from the script of perpetual victim-hood and admitting that Black-on-Black crime is a hindrance to community development and trust would jeopardize the whole enterprise of Black Run America.

One must always work for the betterment of Black people and if that means turning your back on wanton criminality and violence, then so be it. Better to allow the endurance of evil then to admit that white people aren't the cause of Black peoples lot in life.

The "S" word is the true "whose name must not be spoken" and the fear of being labeled one in the Black community is greater than that of Voldemort in the Harry Potter stories.

Black-on-Black crime doesn't happen. Rapes, murder, petty thievery, larceny, drug deals and violence are all creations of "The Man's" mind intent on keeping Black people in their rightful place.

Snitching is that "S" word that Black people fear to utter in any speech, for the repercussions of being branded one are rarely survived. You see, Black people don't like snitches and have placed an imaginary bounty on any head of the Black person who dares go against their one and sides with the police and the corrupt United States judicial system that dares go after Wal-Mart PA announcers who demand the involuntary expulsion of all Black people from the store.

Those who snitch are no better than the police who patrol the Black community hoping to engage in a Rodney King incident of their own.

In fact, a campaign was started to Stop Snitchin' and to protect Black criminals:

Stop Snitchin' refers to a controversial 2004 campaign launched in Baltimore, United States to persuade criminal informants to stop "snitching," or informing, to law enforcement. Some public officials and others^[who?] say that it is a campaign used by criminals to frighten people with information from reporting their activities to the police.^{[citation needed]} "Stop Snitchin" is the name of a specific Baltimore-based home-made DVD that threatened violence against would-be informants, and the name or theme of several hip hop recordings.

While the slogan "Stop Snitchin' had existed since at least 1999, when it was used by Boston-based rapper Tangg da Juice,^[1] the Stop Snitchin' campaign first gained national attention in late 2004 in Baltimore, Maryland, when a DVD released by Rodney Bethea ^[2] titled "Stop Snitching!" began to circulate. In some footage, a number of men claiming to be drug dealers address the camera, and threaten violence against anyone who reports what they know about their crimes to the authorities. This threat is directed especially towards those who inform on others to get a lighter sentence for their own crimes. Notably, NBA star Carmelo Anthony, a former Baltimore resident and now a part of the Denver Nuggets basketball team, appeared in the video.^[3] In subsequent interviews, Anthony claimed that his appearance in the video was a joke,^[4] the product of his neighborhood friends making a home movie. Anthony claims that the film's message should not be taken seriously.^[5] The publicity of Stop Snitchin' identified several drug informants and corrupt police officers in the Baltimore area such as former BPD officers William King and Antonio Murray who were sentenced to 315 and 139 years in prison, respectively, following an investigation caused by the DVD which identified the officers as drug dealers.

The important book Snitching: Criminal Informants and the Erosion of American Justice painstakingly documents the reality of the stigma that has been placed on Black people who dare snitch. The are pariahs, shunned by the Black community and in some cases end up beaten or worse, dead.

Witness a rape? Better not snitch, or else your family will pay! A drug deal gone wrong that takes a turn toward violence and ultimately homicide? Best be keeping those lips sealed, boy!

At a subsidiary of The Black Planet Universe (Blackplanet.com), a writer questions the validity of snitching:

The main misperception about the controversially popular “Stop Snitching” ideology that is now considered a staple of the Black community is that it’s ubiquitous. Black people are, in no way and under no circumstances, ever supposed to volunteer, aid, assist or even acknowledge law enforcement efforts in our communities.

Of course, the origin of the “Stop Snitching” ethos made a lot more sense. The term was originally coined to govern the conduct of coexisting criminals, sort of a Black take on the Mafia’s omertá-or code of silence.

In other words, if you and I were together in a criminal enterprise and I got busted, I was not supposed to snitch on you. I was supposed to do my time like a man or a “standup guy” and trust that you’d be on the outside handling my affairs in return for my silence.

Michael Vick could have used such friends. So could TI.

Eventually however, both the expression “Stop Snitching” and the mentality behind it extended to the point where it more or less suggested that if something, even something criminal, didn’t have a directly adverse affect on you then you should mind your business and stay out of it.

Now “Stop Snitching” has ballooned to the point where we’ve had to cringingly watch our dear friend, rapper Cam’ron, explain to Anderson Cooper on 60 minutes that even if he lived next door to a serial killer, he’d move away before he’d tell the police.

Needless to say, “Stop Snitching” has gone way too far.

We no longer live in Africa, folks, where our elders police our communities. If a gang of us were to get together now to beat up or kill some pedophile or serial killer, we’d all go to jail!

SBPDL lives by one motto: Those who do evil to others must be punished. Black people live by an entirely different ethos: those who do evil to others within their community must be protected from snitching.

Stuff Black People Don't Like includes snitching, one of the highest offenses against Black solidarity that can be occur (up there with Acting White), as the Black people must maintain strength through the unity of their community.

It is said snitches get stitches. In the Black community, snitches get worse judgment handed down whose verdict they can't supplicate: they are a traitor and performing an act of treason to their Blackness.

Black life expectancy is low and Black levels of incarceration are high. Black people commit more crime, thus the reason for the high level of incarceration and low levels of life expectancy. There is a correlation between the two.

What do you think would happen if snitching was tolerated? A lot more Black people in jail and a life expectancy rate much, much lower.

#553. Vigilante Movies

We live in a world where the printed word is fading in popularity. Visual stimulation through the medium of movies and video games has supplanted reading and led to a significant decline in readership throughout the country.

The National Endowment for the Arts has an incredibly somber analysis of the situation available to read here.

Video games generate more than $17 billion a year in sales (68 percent of American households play video games each year), and movies and DVD sales bring in more than $45 billion each year, and yet, remember:

"According to a fascinating, if frightening, report last year by the National Endowment for the Arts, more than 40 percent of Americans under 44 did not read a single book — fiction or nonfiction — over the course of a year."

These movies and video games represent fiction and mere entertainment, an escape from reality. By spending countless hours watching movies and delving into the fictitious world of video games, people create a sense of cognitive dissonance that enables from living in world dominated by unpleasant hate facts about the real world.

Take the popular television show Law and Order and the false world it delivers each week:

"For years, Law & Order, which is filmed in Manhattan, advertised its episodes as being "ripped from the headlines," a claim Wolf and star Jerry Ohrbach still make in interviews. But instead of depicting reality, Wolf's scriptwriters take high-profile crimes committed by blacks, and replace the bad guys with whites, and invent white racist monsters that bear no relation to anything seen in New York during the past 100 years.

And so, while according to NYPD crime reports, over 89 percent of suspects in violent crimes are black or Hispanic, L&O presents a looking-glass world in the grips of a white crime wave."

One popular form of story-telling that has been with us throughout human history is the revenge-tale (from Homer, Ovid, Shakespeare, Dumas, etc.). A character wronged by a villain and then left for dead - who endures what Joseph Campbell called "a heroes journey" - ends up vanquishing his foe at the end of tale, exacting revenge.

These are the stories that stay with us, for they resonate deeply in our minds and hearts, painting an image of evil being defeated so that good cannot only survive, but endure.

Yet, shows like Law and Order, and American cinema depict something strange in movies, as all plots and stories center around a glaring falsehood: Pre-Obama America never ceased to exist and all criminality is performed by evil white people, at the expense of Black people.

In the real world, watching the nightly news brings the grim nature of Black people and their strong propensity to commit criminal acts to the surface, for in the world of entertainment the truth of Black people and crime is but a pernicious myth laying at the bottom of a murky ocean where only hate-fact wielding Nazi's dare swim.

However, despite the myths that permeate the entertainment industry, most people are cognizant of the reality of Black-on-white crime and the need for Whitopia's.

No movie has yet to be filmed that showcase the heinous murders that have taken place in every city where whites and Black people co-exist, that paint the unhappy - yet true - picture of Black-on-white crime.

Yet, hardly a month goes by when a movie isn't introduced that depicts evil white men attempting to subjugate Black people and permanently make them a second-class.

How many times has a movie been made that accurately shows Black people committing a crime against white people, and then shows said white person demanding justice (that is what happens in A Time to Kill, but it is reversed)?

Think about revenge movies for a moment - since so few people read anymore - and consider what every classic vigilante movie offers: husband and wife have a charmed life with perfect kids; some form of evil (always a white person) disrupts this equilibrium and inflicts great harm (possibly death) on a family member; distraught husband decides to take matters into his own hands when the justice system fails him.

This could be the plot of so many films, from Death Wish, Death Sentence, The Exterminator, The Punisher, Batman, The Boondock Saints, etc.

In Death Wish, Charles Bronson stars as a liberal whose paradigm is destroyed when white muggers rape his wife and daughter, killing the former and sending the latter into a state of psychological paralysis. He doesn't don a mask and scurry over rooftops in Gotham City, but he does confront muggers and potential murderers by engaging in vigilantism, turning New York City into a safer place in the process.

Bronson's character has a conversation with his son-in-law that is riveting:

Paul Kersey: Nothing to do but cut and run, huh? What else? What about the old American social custom of self-defense? If the police don't defend us, maybe we ought to do it ourselves.

Jack Toby: We're not pioneers anymore, Dad.

Paul Kersey: What are we, Jack?

Jack Toby: What do you mean?

Paul Kersey: I mean, if we're not pioneers, what have we become? What do you call people who, when they're faced with a condition or fear, do nothing about it, they just run and hide?

Jack Toby: Civilized?

Paul Kersey: No.

The vast majority of people killed by Bronson's character in the Death Wish series happen to be white people, thus conflicting with the reality of crime in major cities.

A 2007 Kevin Bacon film, Death Sentence, shows a perfect suburban family ruined by a multi-cultural gang (a Hollywood creation, for all gangs are racially united). Bacon's character realizes the law is inadequate and fights back against those who took away his idyllic life.

Remember, impressionable minds watch movies and our manipulated by what they see on film, and to show the truth of crime in America would create a serious amount of cognitive dissonance that would have far reaching effects on the amount of sports consumed in this country and could flicker some sort of brain activity among the individual indulging in countless hours of SportsCenter on ESPN.

Perhaps Hollywood's most interesting character that has been so poorly executed in three different films is the Marvel comic character, The Punisher:

"The Punisher is a vigilante who considers killing, kidnapping, extortion, coercion, threats of violence and torture to be acceptable crime-fighting tactics. Driven by the deaths of his family, who were killed by the mob when they witnessed a gangland execution in New York City's Central Park, the Punisher wages a one-man war on the mob and all criminals in general by using all manner of weaponry.

His family's killers were the first to be slain. A war veteran, Castle is a master of martial arts, stealth tactics, guerrilla warfare and a wide variety of weapons."

Strangely, Castle's enemies always seem to be Italians or other various white people, mobsters, etc. Never Black people, for you see, in movies, we still live in Pre-Obama America where 90 percent of the population is white.

Consider The Boondock Saints, and the infamous joke that film contains. The righteous brothers in that film decide to be God's agents of eradicating sinners on earth, and engage in a brutal war against - like the Punisher - white people.

Even though these movies, from Death Wish to The Punisher depict a white dude blowing away other white dudes, Black people get uneasy, for many Black people know the truth of crime in America.

These films offer mere escapism for all involved who view them, but Black people are well aware of the undertones of such films as Dirty Harry and Death Wish:

"Most irresponsible was the 1974 release of Death Wish which went on to repeat itself in 1982, 1985, 1987 and 1994. Death Wish featured the diminutive and fading actor Charles Bronson, impressive in Once Upon a Time in the West (1968), but now reduced to the depraved Paul Kersey, a white everyman driven to take revenge against street scum when his family is wiped-out.

Playing to such paranoia, which continues to be manipulated by the National Rifle Association, made a raving gun-nut out of the actor Charleston Heston. Over-rated as an actor, Heston never hesitated to mention the Los Angeles Watts Riots of 1965 as chief among his reasons for owning a gun."

Roger Ebert decided to bestow upon Dirty Harry the title of fascist:

"But wait a minute. The movie clearly and unmistakably gives us a character who understands the Bill of Rights, understands his legal responsibility as a police officer, and nevertheless takes retribution into his own hands. Sure, Scorpio is portrayed as the most vicious, perverted, warped monster we can imagine -- but that's part of the same stacked deck. The movie's moral position is fascist. No doubt about it."

Dirty Harry was but a movie, and crime has gotten much worse since 1970, no thanks to the film and fine police work of Officer Callahan in stopping all those real murderers.

Stuff Black People Don't Like includes vigilante movies, for even though Black are never the antagonists in these films, the unpleasant reality of nightly newscasts leaves most Black squeamish. Vigilante movies show normal reactions to melancholy experiences and the natural desire for self-preservation and revenge unfolding in celluloid beauty.

The real-life passivity of white people when confronted with criminality and the Black world that they live in now, is incredibly unnatural. Science can't explain it.

The United States will continue to descend into chaos, caused by massive inner-city crime and black-on-white as well as horrible black-on-black violence.

It is in the movies we will escape to find fictional solutions, and relax in the cheerful words of Travis Bickle:

"Someday a real rain will come and wash all this scum off the streets."