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| The wanted poster for the "blond" killer of Uncle Ben in The Amazing Spider-Man |
Over the past year, I've been working on a fictional story called The Next Man in Hell. It’s a tale of what would happen if someone in our present society decided to take up the mantle of a masked vigilante in our world, taking comic books out of the America of the 1950s, where comics seem to be stuck.(See this piece on The Avengers at VDare and Will "The First 48" be the model?: "The Punisher" gets a TV Show).
Though comics do boast a proud history of heroes resisting tyranny, the cinematic world depicted in Superman Returns, in all of the Christopher Nolan Batman films, in X-Men, The Punisher, Thor, Iron Man, The Avengers, Green Lantern . . . well, they all offer pure escapism when it comes to the casting of villains.
The villains, be they megalomaniac super-villains with extraordinary powers or just your run-of-the-mill street criminal, are almost always white. In the world you and I live in, there are no super-villains; there are just your average, run-of-the-mill thug that depressingly tends to be either Black or brown.
It was my belief that were a vigilante to exist in our world, he would instantly be painted a racist by the media (and the government) and be peremptorily hunted down by the FBI and Department of Justice (DOJ) (if not first terminated with extreme prejudice) for violating the civil rights of criminals. Yes, a vigilante would be the ultimate racist: an individual engaging in the hate crime of trying to keep a city (or your gated community) safe from crime.
And crime does have a color in America.
But wait: Didn’t we recently see what would happen to someone fighting for justice and the betterment of a community? Isn’t that exactly what happened with the story of George Zimmerman and Trayvon Martin? That "white Hispanic," George Zimmerman, might just be the next man in hell...
The whole Zimmerman/Martin affair seemed to destroy the concept that a half Black/half Hispanic Spider Man would be allowed to fight crime; Martin became the "hero" in the eyes of the media and government, while Zimmerman was demonized and has been harassed by those same entities that celebrate "Obama's son."
Thus the entire Zimmerman/Martin affair is just a real-world application of the plot from The Next Man in Hell.
On that note, The Amazing Spider-Man swung into theaters on July 3rd, re-booting a franchise that was beginning to prove true the law of diminishing returns (at least in the American market). Just like the Sam Raimi and Tobey Maguire version of Spider-Man, The Amazing Spider-Man sticks to the formula of Peter Parker's beloved Uncle Ben being murdered by a blond-haired white criminal. Leif Gantvoort gets to portray the Nordic killer of Uncle Ben this go-around, filling the shoes made famous by Michael Papajohn in the original trilogy.
Indeed, once Andrew Garfield's version of Peter Parker (who plays Spider-Man in this re-boot) tries to avenge the death of Uncle Ben by hunting down the blond-haired baddy, the viewer is treated to the hilarious spectacle of Spider-Man chasing down not one, not two, but at least six different blond-haired thugs in New York City -- all with police records.
Though comics do boast a proud history of heroes resisting tyranny, the cinematic world depicted in Superman Returns, in all of the Christopher Nolan Batman films, in X-Men, The Punisher, Thor, Iron Man, The Avengers, Green Lantern . . . well, they all offer pure escapism when it comes to the casting of villains.
The villains, be they megalomaniac super-villains with extraordinary powers or just your run-of-the-mill street criminal, are almost always white. In the world you and I live in, there are no super-villains; there are just your average, run-of-the-mill thug that depressingly tends to be either Black or brown.
It was my belief that were a vigilante to exist in our world, he would instantly be painted a racist by the media (and the government) and be peremptorily hunted down by the FBI and Department of Justice (DOJ) (if not first terminated with extreme prejudice) for violating the civil rights of criminals. Yes, a vigilante would be the ultimate racist: an individual engaging in the hate crime of trying to keep a city (or your gated community) safe from crime.
And crime does have a color in America.
But wait: Didn’t we recently see what would happen to someone fighting for justice and the betterment of a community? Isn’t that exactly what happened with the story of George Zimmerman and Trayvon Martin? That "white Hispanic," George Zimmerman, might just be the next man in hell...
The whole Zimmerman/Martin affair seemed to destroy the concept that a half Black/half Hispanic Spider Man would be allowed to fight crime; Martin became the "hero" in the eyes of the media and government, while Zimmerman was demonized and has been harassed by those same entities that celebrate "Obama's son."
Thus the entire Zimmerman/Martin affair is just a real-world application of the plot from The Next Man in Hell.
On that note, The Amazing Spider-Man swung into theaters on July 3rd, re-booting a franchise that was beginning to prove true the law of diminishing returns (at least in the American market). Just like the Sam Raimi and Tobey Maguire version of Spider-Man, The Amazing Spider-Man sticks to the formula of Peter Parker's beloved Uncle Ben being murdered by a blond-haired white criminal. Leif Gantvoort gets to portray the Nordic killer of Uncle Ben this go-around, filling the shoes made famous by Michael Papajohn in the original trilogy.
Indeed, once Andrew Garfield's version of Peter Parker (who plays Spider-Man in this re-boot) tries to avenge the death of Uncle Ben by hunting down the blond-haired baddy, the viewer is treated to the hilarious spectacle of Spider-Man chasing down not one, not two, but at least six different blond-haired thugs in New York City -- all with police records.
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| Uncle Ben's killer in Sam Raimi's Spider-Man trilogy |
For these actions of ridding New York City of blond-haired thugs, the police brand Spider-Man "vigilante." Just as in Raimi's version of Spider-Man, The Amazing Spider-Man shows the Wall-crawler battling an impressive array of white street thugs.
The New York Times published an informative opinion piece on March 14 by Peter Moskos (You Can’t Blame the Police) that seems to paint a portrait of crime in New York City that isn't replicated in the cinematic world of Spider-Man:
The New York Times published an informative opinion piece on March 14 by Peter Moskos (You Can’t Blame the Police) that seems to paint a portrait of crime in New York City that isn't replicated in the cinematic world of Spider-Man:
It’s not politically correct to say so, but reality isn't politically correct. Over 90 percent of New York City's 536 murder victims last year were black or Hispanic. Just 48 victims were white or Asian. The rate of white homicide in the city (1.18 per 100,000) is incredibly low, even by international standards. The Hispanic rate of homicide in New York City (5.5) is barely above the overall national average (4.8). And yet the black homicide rate remains stubbornly high (17.2), 15 times higher than the white rate. Blacks are one-quarter of the city’s population and two-thirds of murder victims. Black men age 15 to 29 represent less than 3 percent of the city’s population but account for one-third of those murdered.
Instead of showing a world where the criminals almost always look like the "sons" Barack Obama never had – as they do in the real world you and I live in – the cinematic world of Spider-Man shows us a world where they all look like the "sons" of Mitt Romney and his fellow Mormon believers.
Heather MacDonald from City Journal goes one step further (Distorting the Truth about Crime and Race, March 14, 2010). In discussing the "stop and frisk" program in New York City, she writes:
Heather MacDonald from City Journal goes one step further (Distorting the Truth about Crime and Race, March 14, 2010). In discussing the "stop and frisk" program in New York City, she writes:
Here are the crime data that the Times doesn’t want its readers to know: blacks committed 66 percent of all violent crimes in the first half of 2009 (though they were only 55 percent of all stops and only 23 percent of the city’s population). Blacks committed 80 percent of all shootings in the first half of 2009. Together, blacks and Hispanics committed 98 percent of all shootings. Blacks committed nearly 70 percent of all robberies. Whites, by contrast, committed 5 percent of all violent crimes in the first half of 2009, though they are 35 percent of the city’s population (and were 10 percent of all stops). They committed 1.8 percent of all shootings and less than 5 percent of all robberies. The face of violent crime in New York, in other words, like in every other large American city, is almost exclusively black and brown.
So is the world ready for The Next Man in Hell? Judging by the support George Zimmerman has received, that answer is a resounding "yes."
56 comments:
What if whites committed crime at the same rate as blacks?
Regarding the Trayvon Martin episode... When attacked by a black thug, no-blacks have 2 choices: (1) Allow the thug to beat you or (2) go to prison.
Were all the criminals blue eyed as well?
I have a solution. Stop paying to watch this crap. If you want to see the shitty movies, steal them and feel good in your decision to deprive Hollywood of the dollars they need to push the anti-white agenda. Share these bootlegs with anyone you think might spend their money on it otherwise.
The best part of stealing movies and TV from the Internet? No commercials. I even download the network shows rather than watching them on antenna because I don't have to even see their advertising.
My kids live a life free of advertising, and I get to be the gatekeeper of all media in this house. The TV is only an idiot box if you let idiots decide what it displays. I can't keep the anti-whites from attacking my kids in school or elsewhere, but they have no power or control in my home, and they never will. This is a negro-free zone.
Anyone interested in cutting the cord? I can refer you to a simple guide to downloading and installing the free software necessary to become gatekeepers in your home. I pay $8 a month for usenet service and $0 a month to the media monsters. For what you save on cable the first month, you can buy a 1080p capable media player or build a simple PC running free software that will get you started. Most of you probably already have what you need.
OT but funny just the same. The sun is racist. http://www.huffingtonpost.com/2012/07/06/heat-wave-hardest-minority-communities_n_1654769.html
This articles just further validates my decision to stop going to movies and watching mainstream television.
I don't know that this is the best case to make this example. If you follow the source material (written in the early sixties of course), Uncle Ben was killed by a white guy. Of course, since they are prepared to change the race of heroes, I don't see why they can't change the race of villains as well, but at least since Spidey had to track down a blonde, it was probably easier. Imagine trying to track down all the black guys with rap sheets in NYC.
It was my belief that were a vigilant to exist in our world, they'd instantly be deemed a racist by the media (and the government), thus they'd be hunted down with extreme prejudice and brought to justice by the FBI and Department of Justice (DOJ) for violating the civil rights of criminals. Yes, a vigilant would be the ultimate racist, an individual engaging in the hate crime of trying to keep a city (or gated community) safe from crime.
NOTE TO PK: I think the word you meant to use in this paragraph was "vigilante" rather than "vigilant" instead, right?
Anyway, to your overall point, yes, if Spiderman, Batman, Superman, et al, were to all exist in real life, they would all very likely and very quickly be branded as racists for fighting the crime in real-life cities such as New York City, Chicago, Los Angeles, et al.
Chalk up another community event ruined by blacks:
http://www.wrdw.com/home/headlines/NEWS_CONFERENCE_Community_leaders_asking_for_end_to_First_Friday_161687655.html
Slightly OT, but another community event ruined by blacks.
http://www.wrdw.com/home/headlines/NEWS_CONFERENCE_Community_leaders_asking_for_end_to_First_Friday_161687655.html
I think there are two related reasons for the prevalence of White fantasy criminals instead of the real Black/Hispanic ones. Both relate to the deep divisions among Whites as a function of class*, status, and the mate/relationship market.
Unlike Blacks, Whites are divided, with status-markers being unconcerned about reality, discrimination, and accurate portrayals of reality function as a class marker, and also mate-fitness (like peacock tails that display mate fitness though taking physiological resources and helping predators catch fleeing males). Complaining about the inaccurate portrayals or forming pressure groups is a sure route to guaranteed celibacy among White men.
Note: you almost NEVER see White women as villains, save women's pictures like "the Help."
Blacks/Hispanics/Asians by contrast suffer no class/mate-market divisions for forming pressure groups. Make a movie showing accurately Black/Hispanic criminals and you get the Urban League, Al Sharpton, Jessie Jackson, the NAACP, La Raza, MeCHa, Eric Holder, and Barack Obama on your case. Along with the ladies of the View, Oprah, and pretty much every White woman in America calling you racist.
Make a movie with White fantasy villains, you pay no price. So of course Hollywood follows the path of least resistance.
White guys don't squawk because to do so hurts them in the mate/relationship market. They're supposed to be "born winners" by the women they pursue. The market price of sex is determined by the sellers. And that's part of it.
If you want this to change you must move the pivot point of White culture and power: White Women. I think it can be done, but requires decades of work and there simply may not be enough time.
*Black people spend an inordinate amount of time self-policing on culture aka "are they Black enough?" with pressure to be DOWNWARDS compatible, aka adopting the "keeping it real" attitude of the underclass not the upper classes. Jay-Z not the image of Wayne Brady is the ideal Black masculine model. To the point where Brady had to go onto Chapelle's show and do the skit "Wayne Brady Will Choke a B*tch." No Black writer has ever done the "Eat Pray Love" thing where Black folk travel the world in Europe and Asia to "find themselves" etc. Nor do Blacks adopt foreign/Asian foods, cuisine, language, etc. as the mark of a worthy person unlike White people. Self policing on Racial identity is totally foreign of course to Whites in pretty much every nation and culture.
The arrow of class points DOWN among Blacks (and to a lesser extent among Hispanics) but UPWARDS among Whites, as a function IMHO of radically different mating/relationship markets. To my mind the fundamentals of a group/society is how that mating/relationship market works as it tends again IMHO to drive pretty much everything else in the society/group.
OT:
Check the comments out, sort by best rating. It seems the tipping point may be near...
http://www.telegraph.co.uk/news/worldnews/northamerica/usa/9384991/Record-US-heatwave-blamed-for-spike-in-murders.html
I'm so glad I don't have any progeny to be bombarded by all this shit. I'm 51 y.o. and am thankful to have grown up with a childhood. Not of a storybook variety, mind you, but I was able to go trick-or-treating after dark and other simple things. Common kids today have lost their childhoods and it's mostly due to the racial shit brought on by the Bilderbergers, elitists, etc.
People need to realize that racial, religious, political and other wedges driven between us are only means to an end and that these greedy bastards don't care about any of us at all. They are only interested in acquiring more of the world's wealth. Until this is realized and agreed upon, no solution, if one exists, can be discussed, much less implemented. I pray that it's not too late.
Ray Scissom: Where can I find the guide and services you are talking about.
http://www.misterkitty.org/extras/stupidcovers/stupidcomics310.html
This comic is amazing, the commentary even more so.
Anyone interested in cutting the cord? I can refer you to a simple guide to downloading and installing the free software necessary to become gatekeepers in your home.
Sounds like a great guest-post, Ray. Ask PK, he seems to be running a lot of them.
Pappajohn killed Uncle Ben? Wow, that's what I call a food fight.
ex-Lincolnite here:
How surprising is this. They did the same thing with the movie for Clear and Present Danger.
I remember in college being indoctrinated in my Civil Rights Movement class into thinking that black crime was really a symptom of white cultural alienation. When one white kid in the class tried to say that didn't excuse the crimes, the professor, actually a white gal, stated firmly that no black, no matter what they do is really to blame. That's when I tuned her out.
Later that night some jive-ass coon tried to break into my car to steal the radio. He jimmied the lock, only to find that the original Ford Philco radio in the Taurus wasn't what he could sell to the pawn dealers, so he put it back in the passenger seat.
How do I know he was black? The Lincoln cops busted him later that night. His name was Jamel or Tyrone or some goddamn thing. That is when I knew for sure that the colleges and universities are full of crap. I also became further aware that the face of crime in America is a black face.
(Again remember, this is before the super-coons from New Orleans arrived in late 2005.
Here's an interesting viewpoint from an old vdare article by Steve Sailer
http://www.vdare.com/articles/blond-bad-guys-hollywoods-other-obsession
This articles just further validates my decision to stop going to movies and watching mainstream television.
And while you're at it,you can stop reading mainstream books,too. Or-if you have to have brain candy-check them out at the local library. That way,the machine only gets fed one time,when the copy is bought by the library admin.
As an example,about a year ago,I looked through a copy of The Tin Roof Blowdown,by James Lee Burke. This is one of a series of books that feature a character by the name of Dave Robicheaux,and they take place in southern Louisiana. And they are chock full of political correctness and saintly,misunderstood people of color,but "Blowdown" took the cake.
In it,a young,badly misunderstood urban youth rapes a high school girl of the pale persuasion. Later on in the book,the same misunderstood youth is out salvaging useful items in the aftermath of Hurricane Katrina. The poor lad was forced into this line of work when his pharmaceutical sales collapsed due to the societal breakdown following the natural disaster.
While foraging for necessities,this lad stumbles across the mother of the blue eyed devilette that he had earlier raped. And Mom dents him between the eyes with a 30-06.
And the hell of it is that this is portrayed as a bad thing. When he figures out what happened,does Detective Robicheaux send the woman some flowers? Thank her for lightening his workload,and making the neighborhood a bit safer for decent people that get up every morning and go off to work? Does he drop a word in the ear of the local police department to keep an eye on the woman to see that she isn't harmed by the poor late lad's companions?
Oh,no. When he figures out what happens,he guilt trips this woman into a confession,and watches as she goes off to prison.
Such a hero,and I hope the sleazy bastard is a purely fictional hero and stays that way.
So,having read thru this without having paid for it ( other than time ),I added the author to The List of Those Who Shall Not Be Read.
And,as has been mentioned here before-popular culture as a whole is not the friend of the people in this country who make things work. Stop consuming it to the extent that you are able to do so.
Real life is much more sad.
I originally came from Detroit. Moved to Oakland CA awhile back. The only place affordable in the bay area is Oakland.
About three years ago I lost everything. My home my job my car. I only had one thing left - an expensive bike. Nigs took care of that today. All locked up to a bike rack with a krypton lock. Seems like the only thing this disgusting race can do is figure a way to steal and break even the hardest lock. This happened in front of a gym - full of DWL - no one saw anything. Cops wouldn't even come out to take a report. There is nothing these "people" have done or have to offer life.
White people getting a clue:
http://www.wsbtv.com/news/news/local/georgia-tech-students-campaign-carry-guns-campus/nPpSb/
Another event canceled because of blacks:
http://wreg.com/2012/07/08/fatal-shooting-cuts-short-the-bluff-city-classic/
If you have a teenaged daughter and she attends a school with black pupils, you absolutely must watch the movie 'Thirteen' (Catherine Hardwicke, 2003, http://en.wikipedia.org/wiki/Thirteen_%28film%29).
It's an "indie" movie and it contains a dose of race realism that you will never find in a mainstream Hollywood film. To cut to the chase, the film shows how many young white girls think "dating" (aka providing oral sex to, and occasionally venturing into public together with) young African males is the epitome of "cool" and something to aspire to. That's the message that pop culture is pushing on young women and many of them are buying in to it completely. Of course, many of them eventually "grow out" of this phase and realize what they're doing is leading them on a path towards disaster but then they can't reconcile their past with the present and it results in totally dysfunctional families and marriages.
I can understand that the new Spiderman might not be popular here. So I bring you an alternative: Salute.
/trololo
Hey WTF...
Thanks for the www.misterkitty.org link re the stupid comics! Wow, that really was stupid. Negro revisionism, anyone? lol
http://www.misterkitty.org/extras/stupidcovers/stupidcomics310.html
Just in case any of the rest of you missed it... lol
Hey WTF...
Thanks for the www.misterkitty.org link re the stupid comics! Wow, that really was stupid. Negro revisionism, anyone? lol
http://www.misterkitty.org/extras/stupidcovers/stupidcomics310.html
Just in case any of the rest of you missed it... lol
I have to say I support the idea of stealing movies off the net, although my personal opinion is the hideous marxist messages contained in tv and film is unpalatable to someone with my sensitivity to them.
I saw the first movie I've watched in many months the other day, 21 jump street, and felt nauseous.
I bought a Kindle and find it very useful for reading free books from gutenburg.org and whatnot. The best stuff out there was written so long ago the copyrights are expired. I never turn on my Kindle's wireless and de-selected the autobackup to the cloud so my reading material hopefully isn't easily found in a database.
That guy looks like the son of Jewish comedian Dave Attell. I guess they gave him the dye job so the goyim wouldn't be (that is: WOULD be) confused.
Oh well, we're all just dumb animals anyway.
Personally, I don't have a problem with White villains in movies. I avoid movies with any black characters at all. I have a very simple philosophy: blacks are ugly, and I try to avoid ugliness in my entertainment. Needless to say, I seldom watch movies.
Ray Scissom has the right idea: starve the beast.
Can you imagine if Charles Bronson's Death Wish 1 or 2 came out in 2012? The uproar about the negative portrayal of blacks and the profiling by Paul Kersey would be deafening. All those poor Trayvons murdered by a White-Lithuanian who's family was justifiably killed because of our governments failure to pay reparations for slavery. Blacks cannot be criminals in today's movies,it's more realistic to have Nazi's,Satanists,or Aliens. Blacks and Arabs are untouchable.
I've had it with hollywood BS. Avengers was the last straw, with S.Jackson in every other scene, large and in charge. HA! What a f'n joke.
I'll spend my money on movies like Brave for now on (awesome movie, check the river scene - the technology used to create the water is the latest and greatest). Which, btw, I believe spells the death knell for hollywood. In less than five years the technology used to create Toy Story will be cheap enough for anyone to make a movie.
Boycott the latest Spider-Man reboot! Literally nothing else has a chance of working!
OT
Wendy Fisher, white female shot and killed for telling a speeding car to slow down in her neighborhood. Mobile, Alabama.
News reports no description of the suspects...
I'm guessing something like this won't be making its way into a Hollywood flick any time soon.
http://www.nbcchicago.com/news/local/Mob-Attack-Near-Wrigley-Field-161766825.html
From Wilmington, Delaware:
http://www.delawareonline.com/article/20120709/NEWS01/307090041/1-dead-4-wounded-after-shots-fly-Eden-Park?odyssey=tab|topnews|img|Home
And they always say soccer is a safe sport.
Anonymous @ July 8, 2012 5:47 PM
If you run across such trash while reading be sure to leave a negative review at Amazon or Barnes & Noble. Help other people not waste their money or time on such anti-white filth.
OFFTOPIC:
Friday's WSJ (print addition) had an article about a man who is turning part of abandoned Detroit into a tree farm
http://online.wsj.com/article/SB10001424052702304898704577479090390757800.html
Mr. Hantz hasn't given up on his bolder vision. Ideally, he says, "this farm should be 10,000 acres," and several more are needed to restore value to Detroit's land. "The size is by no means where it needs to be."
http://www.myfoxchicago.com/story/18978560/corry-simmons-alvin-goffin-edward-donald-robinson-four-arrested-bizarre-lakeview-mob-attack-white-limo-
Black mob gets out of limo and attacks whites while filming in Chicago just for fun
Disbelief after tragedy in Plymouth
That's odd. These criminals look nothing like the blonde-haired, blue-eyed ones I see in movies and on TV.
@ Anonymous about Wendy Fisher
Some media is finally reporting that "three or possibly four black males" were responsible. I noticed dozens of outraged comments on earlier articles due to the fact that no description of the murderers was reported, despite this information being available.
They shot her in front of her children after she asked them to stop racing down the street in her neighborhood.
All the major TV network's cop shows seem to feature a racially balanced team of cops hunting down and busting white criminals. Especially funny (and perplexing) was the now cancelled Detroit 1-8-7 which featured DPD detectives busting all the white suburbanites who came into the D to sell drugs, rape, murder, and rob the poor but noble (and AA) residents of Detroit. Sheesh.
@ Artist
The "Marcus Garvey Soccer Tournament"
You can't make it up.
@ Hell_Is_Like_Newark
I kind of feel sorry for the guy. He has a real desire to help Detroit and has a plan that, although unorthodox, would actually benefit the city and its people.
Unfortunately Detroit is a city where it impossible to do business. The local corrupt black kleptocrats will squeeze him for every penny, his property and equipment will be subject to theft and vandalism, black unions will make it impossible to hire reasonable employees, and no matter how much he invests or gives to the city of Detroit he will still be labeled a racist who is 'taking' land from the black people of Detroit.
To see what happens when people try to invest or do business in Detroit, read this article.
If you haven't done it already, watch the movie "Master and Commander, The Far Side of the World"
A movie that shows white men as something other than bumbling idiots or criminals.
That's the kind of movies that should be supported. Not this hyper politically correct crap two hour long commercial for multicult and products you don't need.
bubo said... If you haven't done it already, watch the movie "Master and Commander, The Far Side of the World"
Yes! Own a copy, watch Lucky Jack and his lads frequently. Great sailing sequences, all white cast, quaint, archaic RN tech terminology, beautiful cinematography, and it's by Weir, an Aussie director whose oeuvre I usually like.
I find European, Australian movies are relatively free of the PC crap Hollywood puts out.
Our negro-free culture zones:
S.F. or guest ballets + operas @ the Opera House; symphonies @ Davies Hall; plays; exhibits @ our S.F museums. Blacks just don't dig those things.
People go to watch Hollywood movies, especially superhero movies, for escapism. So, not seeing the dreary reality of black crime is part of that escapism. Seeing the world as it really is on the Big Screen would surely be depressing.
And so, seeing white criminals than black ones make us feel nicer and safer. When we see white villains, we know it's fantasy. If the screen were filled with black ones, movies would be just like reality.
Of course, there are PC reasons for the lack of black criminals in movies, but it seems to be the case that people just don't wanna deal with that reality in any form.
Actually, any movie that doesn't have black people in it is a godsend. I get sick and tired of seeing black people in everything as if they were 60% of the population instead of 12 or 13%.
More and more, I find myself watching older tv shows and movies just to be free of modern Hollywood and their love affair with the amazing magic nigger.
Hopefully, one day this niggerfest will end.
It totally irks me that so many commercials are trying to depict the "typical" black family. They're all clean and upper middle class, normal acting. The % is way too high and I find myself talking to the TV. I understand they're trying to teach the blacks how they should behave, but they don't want to be like whitey.
Actually, any movie that doesn't have black people in it is a godsend. I get sick and tired of seeing black people in everything as if they were 60% of the population instead of 12 or 13%.
More and more, I find myself watching older tv shows and movies just to be free of modern Hollywood and their love affair with the amazing magic nigger.
Hopefully, one day this niggerfest will end.
This is precisely why this Caucasian-American likes watching FOREIGN movies and TV shows - stuff totally made over in Britain and Europe. If you tell me something like, "Yeah, but I can't get into anything with subtitles or foreign accents," then my response to that would be, "Well, then it sucks to be you."
Here's a partial list of foreign movies and shows that I have watched just over the last year alone:
"Girl With The Dragon Tattoo" - If you watch the ORIGINAL made in Sweden version of this movie with English language subtitles, which is available on DVD, you will only see some non-whites in the blurry background just as the credits begin to roll.
"The I.T. Crowd" - This is a hilarious, tech-inspired, Brit-com now available on DVD. Only 24 episodes of this show were made, and negroids are only featured in some background shots - none of them even have speaking roles or are key to the story lines. A pilot was made for the American version of this same show, and guess what? Somebody decided to put a magic negroid in as a major supporting character - the corporate CEO/head boss of the three white main character's place of employment, no less. Half of this American version pilot can be viewed on YouTube, and once you see it after you have seen the original British version, you will know right away how bad the American remake is and why it was cancelled.
"Brother" and "Brother 2" - I am referring to the two action-and-drama type movies made in Russia about the ex-Russian soldier character named Danila Bagrov, a young vigilante who decides to go up against some Russian gangster-types. Both of these movies are available on DVD with English language subtitles. The first "Brother" movie is set entirely in St. Petersburg, Russia. No negroids are in the first movie whatsoever. In the sequel - "Brother 2" - the movie starts out in Moscow, Russia, but eventually Danila Bagrov and some other Russian white guys wind up in Chicago, Illinois, and guess what? Danilla Bagrov and his Russian associates actually go up against some negroid gangster types there in Chicago, and they totally kick their simian hides, all while Danilla Bagrov decides whether or not he should also go save a distressed white Russian expatriate girl in the process! Plus, there are never any depictions of 'white guilt' or emotional hand-wringing from any of the Russian characters while they are in Chicago, Illinois. For this reason alone, I would say that this would totally explain why so few people in black-run-America have ever heard of either on of these "Brother" movies.
Stop trying to conversate with a television. It won't respond to you.
Let's be realists. The latest Spiderman movie was fantastic.
That childish movie is what you recommend? Actually your posting was predictable.
Ricky Tucker , you m----------r.
Whiskey: The arrow of class points DOWN among Blacks (and to a lesser extent among Hispanics) but UPWARDS among Whites, as a function IMHO of radically different mating/relationship markets.
I don't always agree with you, no matter how much I may enjoy your writing, Whiskey. However, on this, you've got it nailed. Non-Whites seem to follow a lowest common denominator role model, just as often the gangster image.
It goes a long way towards explaining the degenerative influence of Hollywood's lowest common denominator network broadcast programming. It, literally, is dragging Whites down to the same Third World level of entertainment metrics as the rest of minority America. Sort of simplifies things when all you need is "Dancing with the Stars" and prime time soap operas (think: "Dallas") instead of really expensive scheite and stuff like like Masterpiece Theater or the original Outer Limits series (in the early 1960s each one hour OL episode had a budget of $100K = $776K 2012 dollars).
Your observation also goes a long way towards explaining the entire "baby daddy" mentality of Black culture. No question of any romantic love being shown, just a sprog or five to establish the desirability peck(er)ing order amongst fellow sheboons. As if Black men are even slightly prone to displays of tenderness, fidelity and all the other noble traits commonly associated with romantic love; at least by Whites, that is.
Anon (7/8 2:33 PM): Pappajohn killed Uncle Ben? Wow, that's what I call a food fight.
Yas, ol' Unca Ben done be convertin' too much o' dat pretty White rice for the likes of an old world spaghetti bender like Pappajohn. Nomesayin?
Ricky Tucker: Blacks and Arabs are untouchable.
Only so long as their DWL kennel masters are in power. When the lights go out in BRA, woe to the 'fro and keffiya.
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